Beschreibung:

Gaston Lachaise (1882-1935)Woman (Striding Woman) [LF 126] stamped with Modern Art Foundry N.Y. conjoined foundry mark 'MA' and inscribed 'CAST. 92.' (on the base) and stamped 'LACHAISE / ESTATE' and numbered 11/11 (on the base) bronze with brown patina 17 1/2 in. (44.5 cm.) high Modeled in 1928-32; Cast in 1992.FootnotesProvenance Lachaise Foundation, Boston, 1992. [With] Salander-O'Reilly Galleries, LLC, Beverly Hills, California and New York, consigned by the above, 1992-1994. [With] Gallery Camino Real, Boca Raton, Florida, consigned by the above, 1994. [With] Salander-O'Reilly Galleries, LLC, New York, consigned by the above, 1995-1996. James Goodman Gallery, New York, acquired from the above, 1996. Private collection, California. Acquired from the above by the present owner. Exhibited New York, Salander-O'Reilly Galleries, LLC, American Modern Masterpieces, September 3-28, 1992. Literature A.H. Mayor, "Gaston Lachaise," Hound & Horn, vol. 5, no. 4, July-September 1932, following p. 564, plaster model illustrated. (as Woman) Museum of Modern Art, Gaston Lachaise Retrospective Exhibition, New York, 1935, p. 26, no. 35, pl. 35, plaster model illustrated. (as Woman, 1928-31) (probably) J. Mellquist, "A Son of Maine Returns: Oils by Marsden Hartley His Recent Work is Shown at An American Place—Sculpture by Gaston Lachaise " Brooklyn Daily Eagle, New York, April 25, 1937, y. 96, no. 114. sec. C, p. C9, another example listed (as Striding Woman) T.B. Hess, "Gaston Lachaise," Art News, vol. 45, no. 11, January 1947, pp. 20–21, another example illustrated. (as Woman, 1928-31) M. Knoedler & Company, Gaston Lachaise 1882-1935, New York, 1947, p. 17, no. 26, pl. 26, another example illustrated. (as Woman) D.B. Goodall, "Gaston Lachaise, Sculptor," Ph.D. dissertation, Harvard University, 1969, vol. 1, pp. 580, 662, no. 28, vol. 2, pp. 321-22, 435, pl. CXLI, plaster model illustrated. (as Striding Nude, 1928-31) Herbert F. Johnson Museum of Art, Cornell University, Gaston Lachaise exhibition catalogue, Ithaca, New York, 1974, n.p., another example listed. (as Striding Woman #1, c. 1928-31) G. Nordland, Gaston Lachaise The Man and His Work, New York, 1974, pp. 161-63, fig. 90, another example illustrated. (as Striding Woman, 1928-31) Robert Schoelkopf Gallery, New York, ARTnews, vol. 74, no. 5, May 1975, p. 72, illustrated. San Bernardino California State College, The Art Gallery, Gaston Lachaise Sculpture and Drawings, San Bernardino, California, 1980, pp. 34, 38, 50, no. 26, figs. 44a-44b, another example illustrated. (as Striding Woman, 1928-31) S. Muchnic, "Lachaise: Patron of Plumpness," Los Angeles Times, November 12, 1980, pt. VI, p. 1, another example illustrated. (as Striding Woman) Palm Springs Desert Museum, Gaston Lachaise 100th Anniversary Exhibition, Sculpture and Drawings, Palm Springs, California, 1982, pp. 31, 34, 43, no. 49, another example illustrated. (as Striding Woman, 1928-31) Robert Schoelkopf Gallery, Gaston Lachaise Twenty Sculptures, New York, 1982, n.p., plaster model illustrated. (as Striding Woman, 1928-31) Marlborough Gallery, Masters of Modern and Contemporary Sculpture, New York, 1984, n.p., no. 32, another example illustrated. (as Striding Woman, 1928-31) Salander-O'Reilly Galleries, Meredith Long & Company, B. Rose, Gaston Lachaise Sculpture, New York, 1991, pp. 36-37, 82, no. 12, another example illustrated. (as Striding Woman, c. 1928-30) M. Kimmelman, "Sensual Sculpture of Gaston Lachaise " The New York Times, New York, February 7, 1992, vol. CXLI, no. 48,869, p. C62, another example listed. (as Striding Woman) C. Burlingham, E. Shepherd eds., In the Sculptor's Landscape: Celebrating Twenty-Five Years of the Franklin D. Murphy Sculpture Garden, Los Angeles, 1993, pp. 56, 108, no. 33, fig. 39, another example illustrated. (as Striding Woman, 1928-31) S. Hunter, Lachaise, New York, 1993, pp. 131-33, 243, another example illustrated. (as Striding Woman, 1928-30) Cedar Crest College, Proceedi