DescriptionSui Jianguob. 1956Earthly Force (Two Works)
stone, welding steelWork #1: 40 by 49 by 35 cm. 15¾ by 19¼ by 13¾ in.Work #2: 31 by 41 by 50 cm. 12¼ by 16⅛ by 19¾ in.Executed in 1992-93.----------------------------------------------
隋建國1956年生地罣（兩件作品）
石材鋼筋1992至1993年作作品#1：40 x 49 x 35 公分，15¾ x 19¼ x 13¾ 英寸作品#2： 31 x 41 x 50 公分，12¼ x 16⅛ x 19¾ 英寸Condition reportThis work is in good condition overall. Evidence of light oxidation and rusting are noted to be scarcely scattered throughout the steel elements, consistent with the aging of the work. Occasional white and fibrous media accretions are observed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.ProvenancePrivate CollectionChristie's, Hong Kong, 27 May 2007, Lot 431Acquired from the above sale by the present owner----------------------------------------------私人收藏香港，佳士得，2007年5月27日，拍品編號431現藏者直接購自上述拍賣LiteratureThe First Academic Exhibition of Chinese Contemporary Art 96-97, China 1996, p. 110 (ed. no. unknown)Wu Hung, Ed., Transience - Chinese Experimental Art at the End of the Twentieth Century, Chicago 1999, p. 67, illustrated in colour (ed. no. unknown)Lü Peng, Ed., 90's Art China 1990-1999, Hunan 2000, p.131 (ed. no. unknown)Jean Marc Decrop and Christine Buci-Glucksmann Eds., Modernités Chinoises, France 2003, p. 76, illustrated in colour (ed. no. unknown)Thomas Christensen, Ed., Sui Jianguo: The Sleep of Reason, San Francisco 2005, pp.10-11 (ed. no. unknown)Gao Minglu, Ed., The Wall: Reshaping Contemporary Chinese Art, New York and Beijing 2005, p. 144 (ed. no. unknown)Wu Hung, Ed., Art and Exhibition - Wu Hung on Contemporary Chinese Art, Guangzhou 2005, p. 73 (ed. no. unknown)Exh. Cat., Beijing, Arario Beijing, Sui Jianguo Space-Video Exhibition, 2007, p. 11, illustrated (ed. no. unknown)Zhuan Huang, Ed., Dian Xue: Sui Jianguo's Art (1987-2007), Guangzhou 2007, pp. 67, 124-187, 129-133 (ed. no. unknown)Philip Tinari, Artists in China, U.K. 2007, p. 17 (ed. no. unknown)Lü Peng, Ed., A History of Art in Twentieth Century China, Beijing, 2009, p. 1025 (ed. no. unknown)Exh. Cat., Beijing, JoyArt, Sui Jianguo: Revealing Traces, 2008, p. 21, illustrated (ed. no. unknown)Adrian Cheng and John Dodelande, Eds., Chinese Art: The Impossible Collection, New York 2021, no. 31, illustrated in colour (ed. no. unknown)----------------------------------------------
《The First Academic Exhibition of Chinese Contemporary Art 96-97》（中國，1996）， 頁110，版數不詳 巫鴻著， 《Transience - Chinese Experimental Art at the End of the Twentieth Century》（芝加哥，1999年），頁67，載彩圖，版數不詳 呂澎著，《90's Art China 1990-1999》（湖南，2000年），頁131，版數不詳 Jean Marc Decrop與Christine Buci-Glucksmann編，《Modernités Chinoises》（法國，2003年），頁76，載彩圖，版數不詳 Thomas Christensen著，《Sui Jianguo: The Sleep of Reason》（舊金山，2005年)，頁10-11，版數不詳 高名潞著，《The Wall: Reshaping Contemporary Chinese Art》（紐約及北京，2005），頁144，版數不詳 巫鴻著，《Art and Exhibition - Wu Hung on Contemporary Chinese Art》（廣州，2005年），頁73，版數不詳 北京，阿拉里奧畫廊，《Sui Jianguo Space-Video Exhibition》展覽圖錄，2007年，頁11，載圖，版數不詳 黃專編，《點穴: 隨建國的藝術（1987－2007）》（廣州，2007年），頁67，124-187，129-133，版數不詳 Philip Tinari著，《Artists in China》（英國，2007年），頁17，版數不詳 呂澎著，《A History of Art in Twentieth Century China》（北京，2009年），頁1025，版數不詳 北京，JoyArt，《Sui Jianguo: Revealing Traces》展覽圖錄，2008，頁21，載圖，版數不詳 鄭志剛與John Dodelande著，《Chinese Art: The Impossible Collection》（紐約，2021年），圖版31, 載彩圖，版數不詳ExhibitedBéziers, Espace Culturel Paul Riquet, Et Moi, Et Moi Et Moi...Portraits Chinois, June - July 2004, pp. 6, 45 (ed. no. unknown)Stanford, Cantor Visual Arts Center; Wellesley, Davis Museum and Cultural Center; Indianapolis Museum of Art, On the Edge: Contemporary Chinese Artists Encounter the West, 2005 - 2006, p. 21 (ed. no. unknown)----------------------------------------------
貝濟耶，Espace Culturel Paul Riquet，「Et Moi, Et Moi Et Moi...Portraits Chinois」，2004年6月至7月，頁6，45，版數不詳 史丹佛，坎特藝術中心；威爾斯利，戴维斯博物馆；印第安納波利斯藝術博物館，「On the Edge: Contemporary Chinese Artists Encounter the West」，2005 - 2006年，頁21，版數不詳Catalogue note
DescriptionSui Jianguob. 1956Earthly Force (Two Works)
stone, welding steelWork #1: 40 by 49 by 35 cm. 15¾ by 19¼ by 13¾ in.Work #2: 31 by 41 by 50 cm. 12¼ by 16⅛ by 19¾ in.Executed in 1992-93.----------------------------------------------
隋建國1956年生地罣（兩件作品）
石材鋼筋1992至1993年作作品#1：40 x 49 x 35 公分，15¾ x 19¼ x 13¾ 英寸作品#2： 31 x 41 x 50 公分，12¼ x 16⅛ x 19¾ 英寸Condition reportThis work is in good condition overall. Evidence of light oxidation and rusting are noted to be scarcely scattered throughout the steel elements, consistent with the aging of the work. Occasional white and fibrous media accretions are observed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE.ProvenancePrivate CollectionChristie's, Hong Kong, 27 May 2007, Lot 431Acquired from the above sale by the present owner----------------------------------------------私人收藏香港，佳士得，2007年5月27日，拍品編號431現藏者直接購自上述拍賣LiteratureThe First Academic Exhibition of Chinese Contemporary Art 96-97, China 1996, p. 110 (ed. no. unknown)Wu Hung, Ed., Transience - Chinese Experimental Art at the End of the Twentieth Century, Chicago 1999, p. 67, illustrated in colour (ed. no. unknown)Lü Peng, Ed., 90's Art China 1990-1999, Hunan 2000, p.131 (ed. no. unknown)Jean Marc Decrop and Christine Buci-Glucksmann Eds., Modernités Chinoises, France 2003, p. 76, illustrated in colour (ed. no. unknown)Thomas Christensen, Ed., Sui Jianguo: The Sleep of Reason, San Francisco 2005, pp.10-11 (ed. no. unknown)Gao Minglu, Ed., The Wall: Reshaping Contemporary Chinese Art, New York and Beijing 2005, p. 144 (ed. no. unknown)Wu Hung, Ed., Art and Exhibition - Wu Hung on Contemporary Chinese Art, Guangzhou 2005, p. 73 (ed. no. unknown)Exh. Cat., Beijing, Arario Beijing, Sui Jianguo Space-Video Exhibition, 2007, p. 11, illustrated (ed. no. unknown)Zhuan Huang, Ed., Dian Xue: Sui Jianguo's Art (1987-2007), Guangzhou 2007, pp. 67, 124-187, 129-133 (ed. no. unknown)Philip Tinari, Artists in China, U.K. 2007, p. 17 (ed. no. unknown)Lü Peng, Ed., A History of Art in Twentieth Century China, Beijing, 2009, p. 1025 (ed. no. unknown)Exh. Cat., Beijing, JoyArt, Sui Jianguo: Revealing Traces, 2008, p. 21, illustrated (ed. no. unknown)Adrian Cheng and John Dodelande, Eds., Chinese Art: The Impossible Collection, New York 2021, no. 31, illustrated in colour (ed. no. unknown)----------------------------------------------
《The First Academic Exhibition of Chinese Contemporary Art 96-97》（中國，1996）， 頁110，版數不詳 巫鴻著， 《Transience - Chinese Experimental Art at the End of the Twentieth Century》（芝加哥，1999年），頁67，載彩圖，版數不詳 呂澎著，《90's Art China 1990-1999》（湖南，2000年），頁131，版數不詳 Jean Marc Decrop與Christine Buci-Glucksmann編，《Modernités Chinoises》（法國，2003年），頁76，載彩圖，版數不詳 Thomas Christensen著，《Sui Jianguo: The Sleep of Reason》（舊金山，2005年)，頁10-11，版數不詳 高名潞著，《The Wall: Reshaping Contemporary Chinese Art》（紐約及北京，2005），頁144，版數不詳 巫鴻著，《Art and Exhibition - Wu Hung on Contemporary Chinese Art》（廣州，2005年），頁73，版數不詳 北京，阿拉里奧畫廊，《Sui Jianguo Space-Video Exhibition》展覽圖錄，2007年，頁11，載圖，版數不詳 黃專編，《點穴: 隨建國的藝術（1987－2007）》（廣州，2007年），頁67，124-187，129-133，版數不詳 Philip Tinari著，《Artists in China》（英國，2007年），頁17，版數不詳 呂澎著，《A History of Art in Twentieth Century China》（北京，2009年），頁1025，版數不詳 北京，JoyArt，《Sui Jianguo: Revealing Traces》展覽圖錄，2008，頁21，載圖，版數不詳 鄭志剛與John Dodelande著，《Chinese Art: The Impossible Collection》（紐約，2021年），圖版31, 載彩圖，版數不詳ExhibitedBéziers, Espace Culturel Paul Riquet, Et Moi, Et Moi Et Moi...Portraits Chinois, June - July 2004, pp. 6, 45 (ed. no. unknown)Stanford, Cantor Visual Arts Center; Wellesley, Davis Museum and Cultural Center; Indianapolis Museum of Art, On the Edge: Contemporary Chinese Artists Encounter the West, 2005 - 2006, p. 21 (ed. no. unknown)----------------------------------------------
貝濟耶，Espace Culturel Paul Riquet，「Et Moi, Et Moi Et Moi...Portraits Chinois」，2004年6月至7月，頁6，45，版數不詳 史丹佛，坎特藝術中心；威爾斯利，戴维斯博物馆；印第安納波利斯藝術博物館，「On the Edge: Contemporary Chinese Artists Encounter the West」，2005 - 2006年，頁21，版數不詳Catalogue note
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