Lot details By Yasuhara Shoso (born 1884), one seal Shoso Japan, Taisho (1912-1926) to Showa period (1926-1989) Of square section, the tall rectangular body supported on four feet and rising to a flat rim fitted with a reticulated cover, bearing an attractive silver ground, decorated to the exterior in iro-e hiramaki-e depicting the sun among clouds shining over a field. The recessed base sealed Shoso. Inscribed to the box, ‘Shoso, lacquer art’, with the seal Shoso. HEIGHT 24 cm Condition: Very good condition with minor wear and few blemishes and fingerprints. With a fitted tomobako box inscribed with the artist's name and seal. Yasuhara Shoso (born 1884) was the second son of Yasuhara Kiyoshi, a native of Kanazawa who worked in Osaka as a high-end maki-e lacquerware exporter. He succeeded his father Kiyoshi in 1899 and worked in Osaka. He began to exhibit his work at exhibitions from the Taisho era (1912-1926). His style was modern in design, incorporating various ancient lacquer techniques, and many of his works, while highly technical, created an appealing atmosphere.
Lot details By Yasuhara Shoso (born 1884), one seal Shoso Japan, Taisho (1912-1926) to Showa period (1926-1989) Of square section, the tall rectangular body supported on four feet and rising to a flat rim fitted with a reticulated cover, bearing an attractive silver ground, decorated to the exterior in iro-e hiramaki-e depicting the sun among clouds shining over a field. The recessed base sealed Shoso. Inscribed to the box, ‘Shoso, lacquer art’, with the seal Shoso. HEIGHT 24 cm Condition: Very good condition with minor wear and few blemishes and fingerprints. With a fitted tomobako box inscribed with the artist's name and seal. Yasuhara Shoso (born 1884) was the second son of Yasuhara Kiyoshi, a native of Kanazawa who worked in Osaka as a high-end maki-e lacquerware exporter. He succeeded his father Kiyoshi in 1899 and worked in Osaka. He began to exhibit his work at exhibitions from the Taisho era (1912-1926). His style was modern in design, incorporating various ancient lacquer techniques, and many of his works, while highly technical, created an appealing atmosphere.
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