* WILLIAM MCCANCE (SCOTTISH 1894 - 1970), BLACK MOON monotype with mixed media, signed and titled in the plate 14cm x 6cm Mounted, framed and under glass Exhibited: Reading Museum & Art Gallery, 1960. No 149; and McKechnie Institute, Girvan 1972. No 147. Note: McCance was born in a suburb of Glasgow and studied at Glasgow School of Art from 1911-5. In 1918 he married a fellow student, Agnes Miller Parker (one of Britain's leading wood-engravers), and they moved to London two years later. In the early 1920s McCance developed a machine-inspired, near abstract style, much indebted to the work of Wyndham Lewis and the Vorticists. He was one of very few Scottish artists to follow such a path. From 1930 to 1933 he worked as controller of the celebrated Gregynog Press in Wales, where leading British printmakers and typographers produced highly prized, limited-edition books. Whilst every effort is made to provide accurate and honest condition reports, none of our staff is a professional conservator, restorer or engineer. Any condition report offered should be accepted as an indication of any obvious issues or problems or the lack of them. Buyers are urged to satisfy themselves in respect of the condition of any lot and McTear’s can provide contact details of local professional restorers who will provide fully comprehensive expert reports – usually for a modest charge. The condition report does not form part of any contract between McTear's and the buyer, and all lots are offered "as is" in accordance with our Terms of Business in the printed catalogue and available on our website.
* WILLIAM MCCANCE (SCOTTISH 1894 - 1970), BLACK MOON monotype with mixed media, signed and titled in the plate 14cm x 6cm Mounted, framed and under glass Exhibited: Reading Museum & Art Gallery, 1960. No 149; and McKechnie Institute, Girvan 1972. No 147. Note: McCance was born in a suburb of Glasgow and studied at Glasgow School of Art from 1911-5. In 1918 he married a fellow student, Agnes Miller Parker (one of Britain's leading wood-engravers), and they moved to London two years later. In the early 1920s McCance developed a machine-inspired, near abstract style, much indebted to the work of Wyndham Lewis and the Vorticists. He was one of very few Scottish artists to follow such a path. From 1930 to 1933 he worked as controller of the celebrated Gregynog Press in Wales, where leading British printmakers and typographers produced highly prized, limited-edition books. Whilst every effort is made to provide accurate and honest condition reports, none of our staff is a professional conservator, restorer or engineer. Any condition report offered should be accepted as an indication of any obvious issues or problems or the lack of them. Buyers are urged to satisfy themselves in respect of the condition of any lot and McTear’s can provide contact details of local professional restorers who will provide fully comprehensive expert reports – usually for a modest charge. The condition report does not form part of any contract between McTear's and the buyer, and all lots are offered "as is" in accordance with our Terms of Business in the printed catalogue and available on our website.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
