Photograms. 1978. 2 vintage matte gelatin silver prints on RC paper from the original negatives. Each circa 31,6 x 29 cm and 40,5 x 30,4 cm. Each signed and dated by the photographer lower left in ink, mounted in upper corners in mat (some soil spots). From an edition of 100 by Bertieri Instituto Grafica, Milan. Luigi Veronesi was a painter, photographer, set designer and experimental film maker. In 1934 he became friends with Lázló Moholy-Nagy and began experimenting with photograms, photomontage, and solarization techniques. – Larger print with traces of glue in left edge, otherwise in very good condition. Lit.: K. Wohlbert. Luigi Veronesi Rationalistische Abstraktion 1927-1996. Exhibition Mathildenhöhe, Darmstadt 1997.
Photograms. 1978. 2 vintage matte gelatin silver prints on RC paper from the original negatives. Each circa 31,6 x 29 cm and 40,5 x 30,4 cm. Each signed and dated by the photographer lower left in ink, mounted in upper corners in mat (some soil spots). From an edition of 100 by Bertieri Instituto Grafica, Milan. Luigi Veronesi was a painter, photographer, set designer and experimental film maker. In 1934 he became friends with Lázló Moholy-Nagy and began experimenting with photograms, photomontage, and solarization techniques. – Larger print with traces of glue in left edge, otherwise in very good condition. Lit.: K. Wohlbert. Luigi Veronesi Rationalistische Abstraktion 1927-1996. Exhibition Mathildenhöhe, Darmstadt 1997.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
