two impressions after Rembrandt, mezzotints, each c.400 x 280mm., lettered states, thread margins, one with a soft diagonal crease, [C.S. 30], (c.1763); with two impressions of Richard Earlom's mezzotint Rembrandt's Wife, after Rembrandt, each c.455 x 305mm. [C.S. 35], (c.1777); two variant impressions (one an unlettered proof) of James McArdell's Rembrandt's Mother, each 355 x 250mm., [C.S. 150], (c.1729-1765); and Johann Gottfried Haid's Rembrandt's Mother, clipping her nails, 460 x 360mm., [C.S. 9], (c.1764), all unframed (7). Condition report disclaimer
two impressions after Rembrandt, mezzotints, each c.400 x 280mm., lettered states, thread margins, one with a soft diagonal crease, [C.S. 30], (c.1763); with two impressions of Richard Earlom's mezzotint Rembrandt's Wife, after Rembrandt, each c.455 x 305mm. [C.S. 35], (c.1777); two variant impressions (one an unlettered proof) of James McArdell's Rembrandt's Mother, each 355 x 250mm., [C.S. 150], (c.1729-1765); and Johann Gottfried Haid's Rembrandt's Mother, clipping her nails, 460 x 360mm., [C.S. 9], (c.1764), all unframed (7). Condition report disclaimer
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