Beschreibung:

Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
John Zinsser (1961) "Labor Action" (2000) Signed, titled and dated 2000 on the overlap Alkyd and oil on canvas, 122 x 122 cm Provenance: - Von Lintel & Nusser Gallery, New York, 2007 - Corporate collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Joris Geurts (1958) Untitled (1996) Signed and dated 1996 on the revere Oil on canvas, 90 x 100 cm Provenance: - Art & Project, Slootdorp, c. 1997 - Private collection, the Netherlands Note: This work is offered with another work in acrylic on paper, signed with initials and dated 96 lower left, 32.5 x 25 cm. (2x) * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Ton Frenken (1930-2004) Cyclische tijd (Cyclical Time) (1987) Signed and dated 1987 on the stretcher Acrylic on canvas, 180.6 x 160 cm Provenance: - Galerie Van Den Berg, Den Bosch, 1990 (incl. invoice) - Private collection, the Netherlands * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Cole Morgan (1950) "Karate" (1986) Signed and dated '86 lower right Titled, dated 1986 and numbered # 623 on a artist's label affixed to the backing Mixed media and collage on paper, 70 x 100 cm * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Charlotte Molenkamp (1955) Untitled Signed lower left Titled on the stretcher Oil on canvas in painted wooden frame, 143.5 x 153.6 cm Note: In artist’s frame. * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon request
Anton Martineau (1926-2017) Loli Flores, Sevilla Signed lower right Signed and titled on the reverse Oil on canvas, 170.3 x 99.9 cm Note: In Martineau's work, spontaneous drawing plays a significant role. Subjects primarily include: tango, dancing couples, eroticism, the drama of love and death, absurd portraits, and still lifes. Women and the feminine dominate the masculine in his emotionally charged work. His lyrical style was sometimes associated with the expressionism of Cobra and in particular the artist Lucebert. He was befriended with Karel Appel, Corneille, and the poet Gerrit Kouwenaar, as well as Jan Sierhuis, who once advised him to create less sexually explicit work in order to sell more... Due to his desire to follow a completely unique path, he didn't seek close alignment with Cobra. However, the development of his work in the mid-1960s coincided with the zeitgeist of the Provo movement and the sexual revolution. * Condition report available upon request
Co Cordèl (Bolsward 1957) a) Still life with pharmacy bottle and mortar Signed and dated ’90 lower centre Oil on board, 40 x 22.9 cm b) Still life with glass bottles Oil on board, 40 x 23 cm (2x) * Condition report available upon req