TASSO, Torquato. La Gerusalemme Liberata. Paris: F. A. Firmin-Didot-L'Aîné, Tilliard and Didot Fils Aîné, [1785-6]. 2 volumes, large 4° (310 x 221mm). Half-titles, titles with wood-engraved printer's device, engraved frontispiece by St. Aubin and 40 engraved plates by Tilliard, Dambrun, Delignon and others, all after nicolas-cochin-the-elder" title="Charles-Nicolas Cochin the elder">Charles-Nicolas Cochin (Occasional light browning, heavier in quires 37 and 39-40 of vol. I, a few plates slightly spotted at margins, some tips of corners creased in vol. I.) Near-contemporary green straight-grained morocco gilt, covers with Greek-key roll-tool border, spines gilt in six compartments, turn-ins with pentaglyph and rosette tools, g.e. (spines and corners slightly rubbed, small stain on back cover of vol.II). Second edition of this "collector's book on the grand scale, luxurious in format, paper and illustrations" (Ray). Like the first edition of 1784, the second was apparently limited to 200 copies. The Comte de Provence acted as patron, and paid Cochin 40,000 livres to produce 82 drawings: half of these were engraved. Cohen-de Ricci 976-7; Ray French 11. (2)
TASSO, Torquato. La Gerusalemme Liberata. Paris: F. A. Firmin-Didot-L'Aîné, Tilliard and Didot Fils Aîné, [1785-6]. 2 volumes, large 4° (310 x 221mm). Half-titles, titles with wood-engraved printer's device, engraved frontispiece by St. Aubin and 40 engraved plates by Tilliard, Dambrun, Delignon and others, all after nicolas-cochin-the-elder" title="Charles-Nicolas Cochin the elder">Charles-Nicolas Cochin (Occasional light browning, heavier in quires 37 and 39-40 of vol. I, a few plates slightly spotted at margins, some tips of corners creased in vol. I.) Near-contemporary green straight-grained morocco gilt, covers with Greek-key roll-tool border, spines gilt in six compartments, turn-ins with pentaglyph and rosette tools, g.e. (spines and corners slightly rubbed, small stain on back cover of vol.II). Second edition of this "collector's book on the grand scale, luxurious in format, paper and illustrations" (Ray). Like the first edition of 1784, the second was apparently limited to 200 copies. The Comte de Provence acted as patron, and paid Cochin 40,000 livres to produce 82 drawings: half of these were engraved. Cohen-de Ricci 976-7; Ray French 11. (2)
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