Tamsin Morse Being Adele, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I focus on social and moral complexities facing the modern world - lived hypocrisies, conflict and crises alongside the strength of human compassion. This is all from my perspective as a modern woman still scrambling for equality. I use symbolism and animism to build narratives around particular themes and retain the movement and playfulness of drawing in the paintings as well. The two paintings for Art on a Postcard look at people and their pets. Education Chelsea Ma, Slade BA fine art (painting) Select Exhibitions/Awards Studio 1.1 London (This Years Model), New Art Gallery Walsall, A Generous Space 2 (Selected by Stephen Snoddy), and recently WomXn with Fair art Fair at Unit 1 Gallery Workshop, London curated by Jo Baring and Beth Greenacre. I have been working with Marcel for art with a serious of accessible and affordable ways of purchasing art through DACS prints and NFTs, other more recent exhibitions have been with the Mall Galleries and the Trinity Buoy Wharf Drawing Prize. Collections owning my work include, The New Art Gallery Walsall (purchased through a Generous Space 2), The Zabludowicz Collection, Timothy Taylor, The Open University and The University of the Arts, London, as well as many other private collections. Gallery Representation One in the Other, 2006-2010 Statement about AOAP Submitted Artwork The paintings look at people and their pets and are a start of a new series looking at how we anthropomorphise our pets. The drawings are fluid studies which feed all levels of work and provide the basis of everything I make You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Tamsin Morse Being Adele, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I focus on social and moral complexities facing the modern world - lived hypocrisies, conflict and crises alongside the strength of human compassion. This is all from my perspective as a modern woman still scrambling for equality. I use symbolism and animism to build narratives around particular themes and retain the movement and playfulness of drawing in the paintings as well. The two paintings for Art on a Postcard look at people and their pets. Education Chelsea Ma, Slade BA fine art (painting) Select Exhibitions/Awards Studio 1.1 London (This Years Model), New Art Gallery Walsall, A Generous Space 2 (Selected by Stephen Snoddy), and recently WomXn with Fair art Fair at Unit 1 Gallery Workshop, London curated by Jo Baring and Beth Greenacre. I have been working with Marcel for art with a serious of accessible and affordable ways of purchasing art through DACS prints and NFTs, other more recent exhibitions have been with the Mall Galleries and the Trinity Buoy Wharf Drawing Prize. Collections owning my work include, The New Art Gallery Walsall (purchased through a Generous Space 2), The Zabludowicz Collection, Timothy Taylor, The Open University and The University of the Arts, London, as well as many other private collections. Gallery Representation One in the Other, 2006-2010 Statement about AOAP Submitted Artwork The paintings look at people and their pets and are a start of a new series looking at how we anthropomorphise our pets. The drawings are fluid studies which feed all levels of work and provide the basis of everything I make You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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