SHIBATA ZESHIN 柴田是真 (1807–1891) SAYA (SCABBARD) WITH DESIGN OF GINGKO NUTS 銀杏図蒔絵脇差拵 Meiji era (1868–1912), circa 1870–1890 The scabbard of mottled chadō-nuri, decorated toward the end with two gingko nuts and stalks, one in gold, the other in seidō-nuri, both textured with charcoal dust, a gingko leaf carved into the lacquer ground; the scabbard-mounts all of buffalo horn with the exception of the ebony kurigata (fitting for the tying cord); the kozuka (small knife carried in the scabbard) of shakudō nanako (blue-black patinated copper-gold alloy with a granulated surface) with shibuichi and gold, depicting a swallow and lilies; the back of the kozuka gilt with nekogaki ('cat scratches'); the steel blade engraved with a depiction of part of a tsuitate (small non-folding screen); the hilt covered in rayskin bound with twisted leather strips; the tsuba (hand guard) of black lacquer; the seppa (washers) gilt; the fuchi (collar) of shakudō nanako and gilt, depicting a deer beneath a lantern hanging from the eaves of the Kasuga Shrine in Nara; the kashira (pommel) of buffalo horn; the tying cord of braided silk; wood tsukuri (place-holder sword blade); signed on the reverse toward the end of the scabbard, in delicately scratched characters, Zeshin 是真 47.5cm (18¾in) long With fitted wood storage box (2) Provenance: Sold in these Rooms, 5 November 2014, lot 4 Exhibited and Published: Nezu Bijutsukan (Nezu Museum) 2012, cat. no. 41 Fußnoten There are probably fewer than a dozen published examples of swords lacquered by Zeshin, with the decoration often confined to a single motif toward one end of the scabbard, as here (Gōke 1981b, pl. 95–100; Nezu Bijutsukan 2012, cat. nos. 40–41). The scabbard is finished in chadō-nuri ('tea bronze' lacquering), a brown-toned variant from Zeshin's favourite seidō-nuri (see Glossary). Careful inspection of the surface reveals that Zeshin avoided the even, highly polished finish seen in conventional sword mountings, deliberately texturing the lacquer to produce a mottled, antique look that typifies his trademark iki (chic) aesthetic. Zeshin expressed the different states of ripeness of the two fruits by lacquering one in gold and the other in seidō-nuri, and carved the leaf in the lacquer after it had dried, in imitation of metalworking techniques. The fittings on the hilt are by other, anonymous, artists.
SHIBATA ZESHIN 柴田是真 (1807–1891) SAYA (SCABBARD) WITH DESIGN OF GINGKO NUTS 銀杏図蒔絵脇差拵 Meiji era (1868–1912), circa 1870–1890 The scabbard of mottled chadō-nuri, decorated toward the end with two gingko nuts and stalks, one in gold, the other in seidō-nuri, both textured with charcoal dust, a gingko leaf carved into the lacquer ground; the scabbard-mounts all of buffalo horn with the exception of the ebony kurigata (fitting for the tying cord); the kozuka (small knife carried in the scabbard) of shakudō nanako (blue-black patinated copper-gold alloy with a granulated surface) with shibuichi and gold, depicting a swallow and lilies; the back of the kozuka gilt with nekogaki ('cat scratches'); the steel blade engraved with a depiction of part of a tsuitate (small non-folding screen); the hilt covered in rayskin bound with twisted leather strips; the tsuba (hand guard) of black lacquer; the seppa (washers) gilt; the fuchi (collar) of shakudō nanako and gilt, depicting a deer beneath a lantern hanging from the eaves of the Kasuga Shrine in Nara; the kashira (pommel) of buffalo horn; the tying cord of braided silk; wood tsukuri (place-holder sword blade); signed on the reverse toward the end of the scabbard, in delicately scratched characters, Zeshin 是真 47.5cm (18¾in) long With fitted wood storage box (2) Provenance: Sold in these Rooms, 5 November 2014, lot 4 Exhibited and Published: Nezu Bijutsukan (Nezu Museum) 2012, cat. no. 41 Fußnoten There are probably fewer than a dozen published examples of swords lacquered by Zeshin, with the decoration often confined to a single motif toward one end of the scabbard, as here (Gōke 1981b, pl. 95–100; Nezu Bijutsukan 2012, cat. nos. 40–41). The scabbard is finished in chadō-nuri ('tea bronze' lacquering), a brown-toned variant from Zeshin's favourite seidō-nuri (see Glossary). Careful inspection of the surface reveals that Zeshin avoided the even, highly polished finish seen in conventional sword mountings, deliberately texturing the lacquer to produce a mottled, antique look that typifies his trademark iki (chic) aesthetic. Zeshin expressed the different states of ripeness of the two fruits by lacquering one in gold and the other in seidō-nuri, and carved the leaf in the lacquer after it had dried, in imitation of metalworking techniques. The fittings on the hilt are by other, anonymous, artists.
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