Roberto Matta (1911-2002) L'ARC OBSCURE DES HEURES; HOM'MERE (FERRARI 107; 108; 195; 196; 199-201; 204; 210) Color etchings and aquatints, 1975-77, signed and numbered 65/125 (2), 36/100 (3), 53/100 (2) and 63/100 (2), respectively, in pencil, the first two on laid Japan, two on Japon nacre, five on Arches, the first two published by Multiplicata S.A., Chiasso, the last seven printed and published by Atelier Georges Visat, Paris, five with an old inventory sticker affixed at sheet corner verso, the first two with timestain, two pinholes in the image, some foxing, some printer's and other creases, two small uninked areas in the sky, two small tears at bottom sheet edge, three with lightstain, some with a few foxing spots and some soiling and other minor discoloration in the margins, a few with some creasing at sheet edges, otherwise in good condition, with good or full margins. (9) Largest 20 x 27 3/4 inches; 508 x 705 mm. C Estate of Andrew Arkin
Roberto Matta (1911-2002) L'ARC OBSCURE DES HEURES; HOM'MERE (FERRARI 107; 108; 195; 196; 199-201; 204; 210) Color etchings and aquatints, 1975-77, signed and numbered 65/125 (2), 36/100 (3), 53/100 (2) and 63/100 (2), respectively, in pencil, the first two on laid Japan, two on Japon nacre, five on Arches, the first two published by Multiplicata S.A., Chiasso, the last seven printed and published by Atelier Georges Visat, Paris, five with an old inventory sticker affixed at sheet corner verso, the first two with timestain, two pinholes in the image, some foxing, some printer's and other creases, two small uninked areas in the sky, two small tears at bottom sheet edge, three with lightstain, some with a few foxing spots and some soiling and other minor discoloration in the margins, a few with some creasing at sheet edges, otherwise in good condition, with good or full margins. (9) Largest 20 x 27 3/4 inches; 508 x 705 mm. C Estate of Andrew Arkin
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