Robert Rauschenberg (b 1925 - 08) ‘Stop Side Early Winter Glut’ enamel badge, Discontinued, 1987 The original Art collage ‘Stop Side Early Winter Glut’ was an assemblage of ‘found’ objects; road signs and roadside found items reassembled in a 43 1/4 x 46 x 34" (109.9 x 116.8 x 86.4 cm) statement and displayed at New Yorks MOMA Highly detailed and true copy created especially for the Robert Rauschenberg exhibition at Tate Modern, this enamel pin badge is inspired by the artist's piece ‘Stop Side Early Winter Glut’, 1987. Pop Artists Peter Blake and Robert Rauschenberg are infamous for their productions of ‘found’ art assemblages made of recycled material, postcards cigarette packs, and other street found items. Great for wearing or framing in a mini-frame badge . Artist : Robert Rauschenberg Title : ‘Stop Side Early Winter Glut’ lapel badge of Year : 1987 Signed : Signed with a facsimile signature to rear Limited Edition : From a run discontinued run of 1,000 Medium : 3Dimensional,Stainless steel and enamel in colours of Metal signs and objects Published : TATE Gallery Provenance : Rests with TATE Gallery, London Blind stamps : None Dimensions : Overall size 5 cm X 4 cm at the widest measurements Framed : No Condition : Excellent and stored in boxed condition, both unaffected by sun, bright vivid colours Postage and Packing – Due to geographical location Postage and insurance varies if requested. Within this URBAN ART AUCTION, Items Can be combined for best value postage. Please contact for details. UK mainland signed for. Worldwide. ABOUT THE ARTIST and the ART One of the most influential figures of twentieth- century art, Robert Rauschenberg was a pioneering artist who ultimately challenged perceptions of what art could be. Born in Texas in 1925 he later moved to New York, where he created many of his best-known works. Endlessly curious and inventive, his work ranged from painting and sculpture to performance and dance. His refusal to accept existing boundaries of what was considered art led him to continually experiment with new techniques, from innovative printing methods to incorporating found objects and detritus in his works. This radical approach prefigured pop art and inspired generations of conceptual artists in the decades that followed.
Robert Rauschenberg (b 1925 - 08) ‘Stop Side Early Winter Glut’ enamel badge, Discontinued, 1987 The original Art collage ‘Stop Side Early Winter Glut’ was an assemblage of ‘found’ objects; road signs and roadside found items reassembled in a 43 1/4 x 46 x 34" (109.9 x 116.8 x 86.4 cm) statement and displayed at New Yorks MOMA Highly detailed and true copy created especially for the Robert Rauschenberg exhibition at Tate Modern, this enamel pin badge is inspired by the artist's piece ‘Stop Side Early Winter Glut’, 1987. Pop Artists Peter Blake and Robert Rauschenberg are infamous for their productions of ‘found’ art assemblages made of recycled material, postcards cigarette packs, and other street found items. Great for wearing or framing in a mini-frame badge . Artist : Robert Rauschenberg Title : ‘Stop Side Early Winter Glut’ lapel badge of Year : 1987 Signed : Signed with a facsimile signature to rear Limited Edition : From a run discontinued run of 1,000 Medium : 3Dimensional,Stainless steel and enamel in colours of Metal signs and objects Published : TATE Gallery Provenance : Rests with TATE Gallery, London Blind stamps : None Dimensions : Overall size 5 cm X 4 cm at the widest measurements Framed : No Condition : Excellent and stored in boxed condition, both unaffected by sun, bright vivid colours Postage and Packing – Due to geographical location Postage and insurance varies if requested. Within this URBAN ART AUCTION, Items Can be combined for best value postage. Please contact for details. UK mainland signed for. Worldwide. ABOUT THE ARTIST and the ART One of the most influential figures of twentieth- century art, Robert Rauschenberg was a pioneering artist who ultimately challenged perceptions of what art could be. Born in Texas in 1925 he later moved to New York, where he created many of his best-known works. Endlessly curious and inventive, his work ranged from painting and sculpture to performance and dance. His refusal to accept existing boundaries of what was considered art led him to continually experiment with new techniques, from innovative printing methods to incorporating found objects and detritus in his works. This radical approach prefigured pop art and inspired generations of conceptual artists in the decades that followed.
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