Strauss, Richard AUTOGRAPH WORKING MANUSCRIPT SIGNED ("RICHARD STRAUSS") OF THE ERSTE WALZERFOLGE AUS DER ROSENKAVALIER, A CONCERT SUITE OF WALTZES FROM STRAUSS'S MOST FAMOUS OPERA, comprising a draft of the complete work, bearing the title "Walzerpotpourri aus Rosencavalier", based on the waltzes in Acts 1 and 2, but also INCLUDING A PENCIL SKETCH FOR THE CELEBRATED TRIO 'HAB MIR'S GELOBT' in Act 3, some bars containing only the melodic or harmonic outlines, and with some indications of orchestration ("pizz", "arco", etc.), dated at the end: "Garmisch 26 Oktober [19]44", notated in black ink on six systems of two staves each, occasionally extended into the margin, including one large insertion of over one hundred bars on a separate bifolium, together with two smaller additions each marked "Einlage", and some further sketches and annotations in pencil, and with a note of dedication on the first page written in blue ink ("Dr Ernst Roth, dem treuen Helfer und mutigem Veranstalter des Londoner Strauss-Festivals dankbar ergeben, RIchard Strauss 1.11.47"), 13 pages, folio (c.35.5 x 27cms), on 12-stave manuscript paper with the stamp ("B. & H. Nr. 4. C." and "...Nr.3 (16z)"), Garmisch, 26 October [19]44, the first page faintly browned
Strauss, Richard AUTOGRAPH WORKING MANUSCRIPT SIGNED ("RICHARD STRAUSS") OF THE ERSTE WALZERFOLGE AUS DER ROSENKAVALIER, A CONCERT SUITE OF WALTZES FROM STRAUSS'S MOST FAMOUS OPERA, comprising a draft of the complete work, bearing the title "Walzerpotpourri aus Rosencavalier", based on the waltzes in Acts 1 and 2, but also INCLUDING A PENCIL SKETCH FOR THE CELEBRATED TRIO 'HAB MIR'S GELOBT' in Act 3, some bars containing only the melodic or harmonic outlines, and with some indications of orchestration ("pizz", "arco", etc.), dated at the end: "Garmisch 26 Oktober [19]44", notated in black ink on six systems of two staves each, occasionally extended into the margin, including one large insertion of over one hundred bars on a separate bifolium, together with two smaller additions each marked "Einlage", and some further sketches and annotations in pencil, and with a note of dedication on the first page written in blue ink ("Dr Ernst Roth, dem treuen Helfer und mutigem Veranstalter des Londoner Strauss-Festivals dankbar ergeben, RIchard Strauss 1.11.47"), 13 pages, folio (c.35.5 x 27cms), on 12-stave manuscript paper with the stamp ("B. & H. Nr. 4. C." and "...Nr.3 (16z)"), Garmisch, 26 October [19]44, the first page faintly browned
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