Prints & Engravings. A collection of 55 prints, mostly 19th-century, engravings, lithographs, photographs and prints, including Davis (Lucien). The Christmas Hunt Ball - "The Grand Chain", supplement to The Sphere, November 30th 1901, chromolithograph, old folds, 360 x 1000 mm, together with Austin (Winifred Marie Louise, 1876-1964). Wild Boar, etching, signed by the artist in pencil to the lower left, mount stained and a little spotted, 250 x 425 mm, with Gauci (M.). The "Age". A Sketch from Castle Square, Brighton, circa 1850, lithograph after C. F. Henderson contemporary hand colouring, toned, stained and dust-soiled, one short closed tear affecting the printed image, 320 x 500 mm, plus Leney (William). Harriers, J. & J. Boydell, March 25th 1799, mixed method engraving after James Hackert, printed in colours and finished by hand, toned overall, stuck to a near-contemporary wooden stretcher, slight marginal staining and spotting, 495 x 620 mm, and McNeil (A. J.). With Horse & Hound in Worcestershire, published by Messrs. Victor, circa 1890, decorative title page, inscribed and signed in pencil by the author, eleven etched plates heightened with silver, upper hinge split, publishers red gilt cloth, heavily water stained, rubbed and worn at extremities, oblong 4to, binding size 270 x 385 mm, with Payne (Charles Johnson, "Snaffles"). The Gunner, circa 1917, colour lithograph, with uncoloured remarques of a column of guns and a bi-plane, heavily spotted and laid on a wooden board, plus McArdell (J. M.). [The Spinning Top], circa 1760, mezzotint after P. Mercier, proof before title, contemporary hand-colouring, thread margins, 330 x 230 mm, mounted, with another forty-eight prints including topographical views, cartoons, portraits, military, classical and genre scenes, various sizes and condition (Quantity: approx. 55)
Prints & Engravings. A collection of 55 prints, mostly 19th-century, engravings, lithographs, photographs and prints, including Davis (Lucien). The Christmas Hunt Ball - "The Grand Chain", supplement to The Sphere, November 30th 1901, chromolithograph, old folds, 360 x 1000 mm, together with Austin (Winifred Marie Louise, 1876-1964). Wild Boar, etching, signed by the artist in pencil to the lower left, mount stained and a little spotted, 250 x 425 mm, with Gauci (M.). The "Age". A Sketch from Castle Square, Brighton, circa 1850, lithograph after C. F. Henderson contemporary hand colouring, toned, stained and dust-soiled, one short closed tear affecting the printed image, 320 x 500 mm, plus Leney (William). Harriers, J. & J. Boydell, March 25th 1799, mixed method engraving after James Hackert, printed in colours and finished by hand, toned overall, stuck to a near-contemporary wooden stretcher, slight marginal staining and spotting, 495 x 620 mm, and McNeil (A. J.). With Horse & Hound in Worcestershire, published by Messrs. Victor, circa 1890, decorative title page, inscribed and signed in pencil by the author, eleven etched plates heightened with silver, upper hinge split, publishers red gilt cloth, heavily water stained, rubbed and worn at extremities, oblong 4to, binding size 270 x 385 mm, with Payne (Charles Johnson, "Snaffles"). The Gunner, circa 1917, colour lithograph, with uncoloured remarques of a column of guns and a bi-plane, heavily spotted and laid on a wooden board, plus McArdell (J. M.). [The Spinning Top], circa 1760, mezzotint after P. Mercier, proof before title, contemporary hand-colouring, thread margins, 330 x 230 mm, mounted, with another forty-eight prints including topographical views, cartoons, portraits, military, classical and genre scenes, various sizes and condition (Quantity: approx. 55)
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