Beschreibung:

8914 - Limited edition by Piet Mondrian (1872-1944) titled "Composition II in red, blue and yellow, 1930" This actual print was printed in London and is one from the published edition which was strictly limited to 85 copies Worldwide (numbered in the publishers frank). It will be supplied with a replacement valuation for £1800 (free of charge). It will be accompanied with a certificate of authenticity which verifies this is number of the edition. It has also signed by the Master Printer. It has been printed to the highest standard with lightfast inks onto acid-free calcium carbonate-buffered stock, mould-made from 100% cotton. It has been professionally mounted and framed. Mondrian was born in Holland in 1872 and was determined to become a painter from a young age. He qualified with a teaching degree in 1892, but enrolled for painting lessons, before moving to Amsterdam and registering at the Rijksacademie. Mondrian became a member of the art society Kunstliefde "Art Lovers" in Utrecht, where his first paintings were exhibited in 1893. He experimented with many different styles including naturalistic, impressionist and painting many landscapes of his native country. In 1911 he moved to Paris and the influence of Cubism, as evidenced by Picasso and Braque, started to appear almost immediately in his work. He spent the duration of the First World War back in Holland and continued his journey towards abstraction. After the War had finished Mondrian returned to France. He then moved to London in 1938 but relocated to New York just two years later in 1940, where he remained until his death. Mondrian is well known for his contribution to the development of modern abstract art. He strove to portray an extreme 'formal purity' through his combination of simplistic straight lines and bold primary colours. The Image: Mondrian spent the period 1914-1918 (World War I) back at his home in Holland and during this time, he decided to work on an abstract art form which was later classified as 'Neoplastic style'. This work was depicted by lighter colours, simplified colour selection and forms that were balanced in their composition. This work is a result of Mondrian joining the abstraction-creation line which was open to new styles, new techniques and at this time Mondrian began to be fascinated with the idea of the line and dismantling the very definition of painting. He argued that drawing and draughtsmanship which were exemplified in the line, had always lain at the heart of painting from the Renaissance artists to the Impressionists to the Modernists and no one had ever thought to challenge that. H: 96cm W: 93cm D: 4cm