Beschreibung:

Details
PABLO PICASSO (1881-1973)
Nature morte à la fenêtre
dated ’18-1-XXXII’ (on a section of the original stretcher affixed to the backing board)
oil on canvas
51 x 63 7/8 in. (129.7 x 162.3 cm.)
Painted on 18 January 1932
Provenance
Estate of the artist.
Marina Picasso, Paris (by descent from the above).
Jan Krugier, Geneva (acquired from the above).
By descent from the above to the present owner.
Literature
C. Zervos, Pablo Picasso Paris, 1955, vol. 7, no. 374 (illustrated, pl. 163).
T. Bezzola, Picasso: His First Museum Exhibition, exh. cat., Kunsthaus Zürich, 2010, pp. 208 and 244, no. 208 (illustrated in color, p. 244).
Exhibited
Paris, Galeries Georges Petit, Picasso: 1901-1932, June-July 1932, p. 69, no. 219.
Kunsthaus Zürich, Picasso Retrospektive: 1901-1932, September-October 1932, p. 15, no. 208.
Venice, Centro di Cultura di Palazzo Grassi, Picasso: Opere dal 1895 al 1971 dalla Collezione Marina Picasso, May-July 1981, p. 319, no. 211 (illustrated in color, p. 116; illustrated again, p. 319).
Munich, Haus der Kunst; Cologne, Josef-Haubrich-Kunsthalle; Frankfurt, Städtische Galerie and Kunsthaus Zürich, Pablo Picasso Eine Ausstellung zum hundertsten Geburtstag, Werke aus der Sammlung Marina Picasso, February 1981-March 1982, pp. 105 and 328, no. 163 (illustrated in color, p. 105).
Tokyo, The National Museum of Modern Art and Kyoto, Municipal Museum, Picasso: Masterpieces from Marina Picasso Collection and from Museums in U.S.A. and U.S.S.R., April-July 1983, pp. 110 and 272, no. 127 (illustrated in color, p. 110).
Melbourne, National Gallery of Victoria and Sidney, Art Gallery of New South Wales, Picasso, July-December 1984, p. 108, no. 99 (illustrated in color).
New York, William Beadleston, Inc., Through the Eye of Picasso, 1928-1934: The Dinard Sketchbook and Related Paintings and Sculpture, October-December 1985, no. 71 (illustrated in color).
Tokyo, Seibu Art Forum and Ohtsu, Seibu Hall, Pablo Picasso Collection Marina Picasso, November 1990-January 1991, no. 18 (illustrated in color).
Kunstmuseum Basel, Canto d'Amore: Klassizistische Moderne in Musik und bildender Kunst, 1914-1935, April-August 1996, pp. 289 and 505, no. 100 (illustrated in color, p. 289).
Berlin, Neue Nationalgalerie, Picasso: Die Umarmung, October 2000-December 2000, p. 168, no. 67 (illustrated in color, p. 169).
Geneva, Galerie Jan Krugier, Ditesheim & Cie., Pablo Picasso Metamorphoses: Œuvres de 1898 à 1973 de la collection Marina Picasso, March-June 2001, p. 124, no. 59 (illustrated in color, pp. 54-55; not for sale).
Kunstmuseum Bern, Picasso und die Schweiz, October 2001-January 2002, p. 370, no. 104 (illustrated in color).
New York, Jan Krugier Gallery, Pablo Picasso Metamorphoses: Works from 1898 to 1973 from the Marina Picasso Collection, May-July 2002, p. 124, no. 59 (illustrated, pp. 54-55; not for sale).
Vienna, Albertina Museum, Goya bis Picasso: Meisterwerke der Sammlung Jan Krugier und Marie-Anne-Krugier-Poniatowski, April-August 2005, p. 346, no. 150 (illustrated in color, p. 347).
Munich, Hypo-Kulturstiftung, Das Ewige Auge Von Rembrandt bis Picasso: Meisterwerke aus der Sammlung Jan Krugier und Marie-Anne-Krugier-Poniatowski, July-October 2007, p. 384, no. 184 (illustrated in color, p. 385; illustrated in color on the cover).
Art Basel, Tribute to Jan Krugier, June 2009 (not for sale).
Paris, Musée national Picasso, Picasso 1932, October 2017-February 2018, pp. 29-30 and 228, no. 7 (illustrated in color, p. 29).
London, Tate Modern, Picasso 1932: Love, Fame, Tragedy, March-September 2018, pp. 53 and 260 (illustrated in color, p. 53; illustrated in situ in the 1932 exhibition at Galeries Georges Petit, Paris).