Napoleonic satire.- Cruikshank (Isaac, 1764-1811) Harlequin's last skip, Napoleon, dressed as Harlequin, but with enormous cocked hat and Hessian boots, stands in terrified submission before a massive John Bull, etching with hand-colouring on laid paper with watermark date of '180[?]2', sheet 242 x 350 mm. (9 1/2 x 13 3/4 in), laid down at edges onto album leaf, handling creases, minor surface dirt, unframed [BM Satires 10270], 1804; together with John Bull out of all Patience and Peace or War ? or John Bull turned Shuttle-cock! both published by William Holland [BM undescribed], an uncoloured but later impression of James Gillray's Buonaparte, 48 Hours after Landing [BM 10041], probably published by Thomas McLean circa 1830, and a copy after Gillray's French invasion - or - Buonaparte landing in Great Britain [cf. BM 10008], published as Plate No. X.XI in London und Paris, etchings, all but one coloured, various sizes, all laid down onto album leaves at edges, unframed, 1803 and slightly later (5)
Napoleonic satire.- Cruikshank (Isaac, 1764-1811) Harlequin's last skip, Napoleon, dressed as Harlequin, but with enormous cocked hat and Hessian boots, stands in terrified submission before a massive John Bull, etching with hand-colouring on laid paper with watermark date of '180[?]2', sheet 242 x 350 mm. (9 1/2 x 13 3/4 in), laid down at edges onto album leaf, handling creases, minor surface dirt, unframed [BM Satires 10270], 1804; together with John Bull out of all Patience and Peace or War ? or John Bull turned Shuttle-cock! both published by William Holland [BM undescribed], an uncoloured but later impression of James Gillray's Buonaparte, 48 Hours after Landing [BM 10041], probably published by Thomas McLean circa 1830, and a copy after Gillray's French invasion - or - Buonaparte landing in Great Britain [cf. BM 10008], published as Plate No. X.XI in London und Paris, etchings, all but one coloured, various sizes, all laid down onto album leaves at edges, unframed, 1803 and slightly later (5)
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