1. Midrash Shmuel Ravta, Venice, [1546]. Daniel Bomberg printing. Printed together with Midrash Tehilim and Midrash Mishlei. 50-62 leaves. 30.5 cm. Very good condition, staining on edges of the pages. New binding. 2. Kad Ha-Kemach, by Rabenu Be-Hayei. Venice, Kislev 1545. Marco Antonio Giustiniani printing. Signatures by previous owner from Yemen. Inside the broken leather binding are ink marks of antique handwritings from the 14-15th Century, not examined. 83 leaves [one page is missing in the end]. 27.5 cm. Poor condition, staining, wear and flaws to all pages, mainly to title page and to first pages. Adorned leather spine [from Yemen?] is broken and damaged. With antique handwritten inscriptions on inner binding.
1. Midrash Shmuel Ravta, Venice, [1546]. Daniel Bomberg printing. Printed together with Midrash Tehilim and Midrash Mishlei. 50-62 leaves. 30.5 cm. Very good condition, staining on edges of the pages. New binding. 2. Kad Ha-Kemach, by Rabenu Be-Hayei. Venice, Kislev 1545. Marco Antonio Giustiniani printing. Signatures by previous owner from Yemen. Inside the broken leather binding are ink marks of antique handwritings from the 14-15th Century, not examined. 83 leaves [one page is missing in the end]. 27.5 cm. Poor condition, staining, wear and flaws to all pages, mainly to title page and to first pages. Adorned leather spine [from Yemen?] is broken and damaged. With antique handwritten inscriptions on inner binding.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
