DescriptionMax Reger
Remarkable series of c.89 autograph letters signed ("Reger"), to the publishers Hugo and Gustav Bock, THE MAJORITY APPARENTLY UNRECORDED AND UNPUBLISHED
recording in great detail Reger's relationship with the Berlin publishing firm of Bote & Bock, discussing many of Reger's compositions, including op.76, 82, 100, 106, 112, 113, 115, 117, 118, 120, 123, 125, 126, 128, 129, 130, some letters with musical examples
over 320 pages, mostly large 8vo, nine letters on postcards, with one letter signed (4 October 1912), docketed by the recipients, some letters with punch holes, a few newspaper cuttings, Leipzig, Meiningen, Tegernsee and elsewhere, 1909-1915, a few small tears, some punch holes slightly affecting text
A REGER DISCOVERY.
To judge from the listing of Reger's letters in the online Max-Reger-Portal, only around 30 in the present collection would appear to be recorded or published: some of these are to be found, often only in extract form, in Lotte Taube's Max Regers Meisterjahre (1909–1916) (1941); others survive institutionally in Meiningen in the form of transcripts.
Hugo Bock (1848-1932), had run the venerable German publishing house of Bote & Bock from the age of 23 and was largely responsible for building the company's international reputation; Gustav Bock (1882-1953) was Hugo's oldest son. In 1908, the year before the present correspondence begins, the company acquired the firm of Lauterbach & Kuhn in Leipzig, and thus the rights to much of Reger's music. This move angered Reger, who made it his aim to end his relationship with the firm as quickly as possible. In the end, up to 1913, Bote & Bock published Reger's works bearing the opus numbers 103b to 129, among them the third clarinet sonata (op.107), the three Geistliche Gesänge (op.110), as well as the great Meiningen orchestral works. The last letter in the series dates from August 1915; only nine months later the composer was dead.
LITERATURE:Jürgen Schaarwächter, ed., Max Reger: Briefe an den Verlag Ed. Bote & G. Bock [Schriftenreihe des Max-Reger-Instituts, Band XXII] (2011); Max-Reger-Portal (Max-Reger-Institut/Elsa-Reger-Stiftung)Condition reportCondition is described in the main body of the catalogue where appropriate
Please note that Condition 12 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
DescriptionMax Reger
Remarkable series of c.89 autograph letters signed ("Reger"), to the publishers Hugo and Gustav Bock, THE MAJORITY APPARENTLY UNRECORDED AND UNPUBLISHED
recording in great detail Reger's relationship with the Berlin publishing firm of Bote & Bock, discussing many of Reger's compositions, including op.76, 82, 100, 106, 112, 113, 115, 117, 118, 120, 123, 125, 126, 128, 129, 130, some letters with musical examples
over 320 pages, mostly large 8vo, nine letters on postcards, with one letter signed (4 October 1912), docketed by the recipients, some letters with punch holes, a few newspaper cuttings, Leipzig, Meiningen, Tegernsee and elsewhere, 1909-1915, a few small tears, some punch holes slightly affecting text
A REGER DISCOVERY.
To judge from the listing of Reger's letters in the online Max-Reger-Portal, only around 30 in the present collection would appear to be recorded or published: some of these are to be found, often only in extract form, in Lotte Taube's Max Regers Meisterjahre (1909–1916) (1941); others survive institutionally in Meiningen in the form of transcripts.
Hugo Bock (1848-1932), had run the venerable German publishing house of Bote & Bock from the age of 23 and was largely responsible for building the company's international reputation; Gustav Bock (1882-1953) was Hugo's oldest son. In 1908, the year before the present correspondence begins, the company acquired the firm of Lauterbach & Kuhn in Leipzig, and thus the rights to much of Reger's music. This move angered Reger, who made it his aim to end his relationship with the firm as quickly as possible. In the end, up to 1913, Bote & Bock published Reger's works bearing the opus numbers 103b to 129, among them the third clarinet sonata (op.107), the three Geistliche Gesänge (op.110), as well as the great Meiningen orchestral works. The last letter in the series dates from August 1915; only nine months later the composer was dead.
LITERATURE:Jürgen Schaarwächter, ed., Max Reger: Briefe an den Verlag Ed. Bote & G. Bock [Schriftenreihe des Max-Reger-Instituts, Band XXII] (2011); Max-Reger-Portal (Max-Reger-Institut/Elsa-Reger-Stiftung)Condition reportCondition is described in the main body of the catalogue where appropriate
Please note that Condition 12 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
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