Beschreibung:

Lot DetailsAuthenticity guaranteedAuthenticity guaranteedProperty from a Distinguished CollectionCamille Pissarro1830 - 1903
La Seine à Port-Marlysigned C. Pissarro (lower right)oil on canvas35.2 by 46.4 cm. 13⅞ by 18¼ in.Executed circa 1872.
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知名收藏 卡米耶・畢沙羅 1830 - 1903年
《流經馬爾利港的塞納河》 款識：藝術家簽名C. Pissarro（右下） 油彩畫布 35.2 x 46.4 公分；13⅞ x 18¼ 英寸 約1872年作 Condition reportTo request a Condition Report, please contact Emily.Brown@sothebys.com
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.ProvenanceGalerie Billou, Paris
Galerie Durand-Ruel, Paris (acquired from the above on 5 June 1872)
Ernest Hoschedé, Paris (acquired from the above on 17 February 1873)
Hôtel Drouot, Paris, 13 January 1874, lot 58 (consigned by the above)
Galerie Durand-Ruel, Paris (acquired at the above sale)
Paul Cassirer, Berlin (acquired from the above on 22 November 1910)
Galerie Tanner, Zurich
Galerie Raeber, Basel (acquired from the above in 1951)
Arthur Tooth & Sons, London (acquired from the above on 26 April 1951)
George Child Villiers, 9th Earl of Jersey, Jersey (acquired from the above on 23 May 1951)
Private Collection (acquired by descent from the above)
Sotheby’s, London, 5 February 2013, lot 17 (consigned by the above)
Acquired at the above sale by the present ownersLiteratureLudovic-Rodo Pissarro and Lionello Venturi, Camille Pissarro son art, son œuvre, vol. I, Paris, 1939, no. 174; vol. II, no. 174, pl. 35, illustrated (titled L'Oise à Pontoise)Merete Bodelsen, "Early Impressionist Sales 1874-94 in the Light of Some Unpublished Procès-Verbaux," in The Burlington Magazine, June 1968, p. 333 (titled Bords de L'Oise)Ralph E. Shikes and Paula Harper, Pissarro, His Life and Work, New York, 1980, p. 81 (titled The Oise at Pontoise) Exh. Cat., London, Hayward Gallery; Paris, Grand Palais and Boston, Museum of Fine Arts, Pissarro, 1981, fig. 1, p. 19, illustrated (titled Seine near La Grenouillère and dated 1869)Christopher Lloyd ed., Les Collectionneurs des impressionnistes, amateurs et marchands, Düdingen, 1987, p. 45, illustrated Richard R. Bretell, Pissarro and Pontoise, the Painter in a Landscape, New Haven and London, 1990, p. 128 and 205 (titled L'Oise à Pontoise)Joachim Pissarro and Claire Durand-Ruel Snollaerts, Pissarro. Critical Catalogue of Paintings, vol. II, Paris, 2005, no. 236, p. 193, illustrated in colour ExhibitedBerlin, Paul Cassirer, X. Ausstellung, 1911, no. 22
Cardiff, National Museum of Wales, How Impressionism Began, 1960, no. 33, illustrated (titled The Oise at Pontoise)
St. Helier, Jersey Museum and Art Gallery, Barreau Art Gallery, Old Masters from Jersey Collections, 1961, no. 28 (titled L’Oise près de Creil)
Birmingham, City Museum and Art Gallery and Glasgow, The Burrell Collection, Camille Pissarro Impressionism, Landscape and Rural Labour, 1990, no. 6, illustrated in colour (titled La Grenouillière at Bougival and dated circa 1869) 
Barnard Castle, The Bowes Museum, The Road to Impressionism: Joséphine Bowes and Painting in Nineteenth-Century France, 2002-03, no. 31, illustrated in colour (titled La Grenouillière at Bougival)