Julius Stockhausen
Collection of c.60 autograph letters signed ("J. Stockhausen"; "J. St."), to Ernst Rudorff
discussing matters relating to the Sternscher Gesangverein, outlining concert programmes, referring to the need for a harpsichord in a work by Mozart, criticising Wagner's Meistersinger ("...O welche Zöpfe! Wie langweilig sind welche Gestalten, u. welcher Irrthum die in Musik setzen zu wollen..."), mentioning Bruch, Radecke, Moszkowski, Joachim (describing his relationship with him), David, Clara Schumann, von Bülow, Schubert's Winterreise, Rudorff's compositions, and referring to many other matters
...Denken Sie, lieber Freund, Joachim hat mich besucht!...Ich habe meinen theuren Freund also nicht ganz verloren; er lässt mich nicht ganz links liegen...Hat er schon mit Ihnen über unser Verhältnis gesprochen?...
c.183 pages, various sizes, one letter on a postcard, with two inscribed visiting cards, a blacked-edged printed death announcement for Stockhausen's father, and two telegrams, two letters with music examples, Berlin, Hamburg and elsewhere, c.1863-1885
together with: c.21 letters signed by Stockhausen's brother Franz, to Rudorff, c.72 pages, various sizes, Leipzig, Strassburg, and elsewhere, [1861]-1907; two typed letters signed and one autograph letter signed by Julia Wirth, Stockhausen's daughter, to Rudorff, 4 pages, Berlin, 1913; and five others, including one to Rudorff from Stockhausen's wife Clara, 1 page, 1874?
The baritone Julius Stockhausen (1826-1906) was a leading promoter of the lieder of Schubert and Schumann, and a source of inspiration for his great friend Brahms, who dedicated his Magelone Lieder, op.33, to him. This is an animated and detailed correspondence from one great nineteenth-century musician to another.
Julius Stockhausen
Collection of c.60 autograph letters signed ("J. Stockhausen"; "J. St."), to Ernst Rudorff
discussing matters relating to the Sternscher Gesangverein, outlining concert programmes, referring to the need for a harpsichord in a work by Mozart, criticising Wagner's Meistersinger ("...O welche Zöpfe! Wie langweilig sind welche Gestalten, u. welcher Irrthum die in Musik setzen zu wollen..."), mentioning Bruch, Radecke, Moszkowski, Joachim (describing his relationship with him), David, Clara Schumann, von Bülow, Schubert's Winterreise, Rudorff's compositions, and referring to many other matters
...Denken Sie, lieber Freund, Joachim hat mich besucht!...Ich habe meinen theuren Freund also nicht ganz verloren; er lässt mich nicht ganz links liegen...Hat er schon mit Ihnen über unser Verhältnis gesprochen?...
c.183 pages, various sizes, one letter on a postcard, with two inscribed visiting cards, a blacked-edged printed death announcement for Stockhausen's father, and two telegrams, two letters with music examples, Berlin, Hamburg and elsewhere, c.1863-1885
together with: c.21 letters signed by Stockhausen's brother Franz, to Rudorff, c.72 pages, various sizes, Leipzig, Strassburg, and elsewhere, [1861]-1907; two typed letters signed and one autograph letter signed by Julia Wirth, Stockhausen's daughter, to Rudorff, 4 pages, Berlin, 1913; and five others, including one to Rudorff from Stockhausen's wife Clara, 1 page, 1874?
The baritone Julius Stockhausen (1826-1906) was a leading promoter of the lieder of Schubert and Schumann, and a source of inspiration for his great friend Brahms, who dedicated his Magelone Lieder, op.33, to him. This is an animated and detailed correspondence from one great nineteenth-century musician to another.
.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
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