HENRI LE SIDANER (1862-1939)Déjeuner au jardin
signé « LE SIDANER » (en bas au centre)
mine de plomb, crayon de couleur et aquarelle sur papier
exécuté en 1921
signed 'LE SIDANER' (lower center)
pencil, colour pencils and watercolour on paper
executed in 1921
27 x 34 cm (10 5/8 x 13 3/8 in)Footnotes亨利·勒·斯丹纳(1862-1939)
花园里的午餐
白垩粉，彩色粉笔，水彩，纸上，画于1921年
Provenance
Collection Louis Le Sidaner, Paris.
Hammer Galleries, New-York.
Vente, Londres, Sotheby's, 28 novembre 1995, lot 321.
Exposition
Beauvais, Musée Départemental de l'Oise, Douai, Musée de la Chartreuse, Henri Le Sidaner en son jardin de Gerberoy, mai 2001-janvier 2002, no 17.
Bibliographie
Yann Farinaux- Le Sidaner, Le Sidaner L'oeuvre peint et gravé, France 1989, n°1125, ill. p. 159.
Alain Delon, Alain Delon : mon musée secret, in Le Figaro Magazine, 6 octobre 2007, ill. p. 62.
À la Belle époque, la réputation de Le Sidaner n'était pas encore liée au nom de Gerberoy, mais aux évocations de ses voyages lointains qu'il offrait chaque année au public. La Grande guerre lui ayant peu laissé l'occasion de peindre son jardin, il se rattrapa autour des années 20 avec une soudaineté et une frénésie que favorisaient les progrès accomplis. Il revint pour cela au thème familier des tables desservies en ne craignant pas d'affronter le plein soleil d'été gerboréen. On le vit composer une suite des plus diverses et d'une fraîcheur inattendue. « J'ai bûché à en être malade ! », écrivit-il à ses amis. Sans aucun doute, Le Sidaner fut le « grand triomphateur » de la réouverture des Salons, où ses vues de Gerberoy obtinrent un énorme succès. De 1917 à 1921, au long des étés passés à Gerberoy, l'artiste allait peindre presque exclusivement une impressionnante série de tables familiales dans le décor qu'il avait créé : « Je puis vous vanter sans mentir », écrivait-il à ses amis, « la fraîcheur du jardin où nous déjeunerons. » Exécuté à l'été 1921, dans la petite cour de Gerberoy, Le Déjeuner a servi d'étude à une toile homonyme qui restera parmi les plus parfaites que l'artiste a dédié aux tables que les convives viennent à peine de quitter. Ces œuvres extraordinaires, qu'il prit un évident plaisir à composer en virtuose, restent aujourd'hui les pièces les plus convoitées des amateurs.
During the Belle Epoque, Le Sidaner's reputation was not yet linked to the name of Gerberoy, but to the evocations of his distant travels that he presented to the public each year. The Great War having left him little opportunity to paint his garden, he made up for it in the 1920s with a sudden frenzy encouraged by his progress. Undeterred by the full summer sun of Gerberoy, he returned to painting the familiar theme of tables in the aftermath of company. He composed a most diverse series of unexpected freshness. "I worked so hard that I fell ill," he wrote to his friends. Without a doubt, Le Sidaner was the "great triumph" of the reopening of the Salons, where his views of Gerberoy were an enormous success. From 1917 to 1921, throughout the summers spent in Gerberoy, the artist painted almost exclusively an impressive series of family tables in the setting he had created: "I can boast to you without lying," he wrote to his friends, "about the coolness of the garden where we shall lunch." Executed in the summer of 1921, in the small courtyard of Gerberoy, Le Déjeuner served as a study for a painting bearing the same title that will remain among the most perfect that the artist has dedicated to the tables left behind by his guests. These extraordinary works, which he took obvious pleasure in composing as a virtuoso, remain today the pieces most coveted by art lovers.Read MoreAdditional informationAuction informationBuyers' ObligationsALL BIDDERS MUST AGREE THAT THEY HAVE READ AND UNDERSTOOD BONHAMS' CONDITIONS OF SALE AND AGREE TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER'S PREMIUM AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS THE BIDDERS LEGAL RIGHTS.If you have any complaints or questions about the Conditions of Sale, please contact your nearest customer services team.Buyers' Premium and ChargesFor all Sales categories excluding Wine, Coins & Medals and Motor Cars and Motorcycles:Buyer's Premium Rates
28% on the first €40,000 of the Hammer Price
27% from €40,001 to €800,000 the Hammer Price
21% from €800,001 to €4,500,000 the Hammer Price
14.5% on the excess over €4,500,000 of the Hammer PriceTVA at the current rate of 20% will be added to the Buyer's Premium and charges.Shipping NoticesFor information and estimates on domestic and international shipping as well as export licences please contact Bonhams Shipping Department.Related DepartmentsPrints & MultiplesImpressionist and Modern ArtPost-War and Contemporary Art19th Century & Orientalist PaintingsAuction ViewingsParis, Avenue Hoche17 June 2023, 10:00 - 18:00 CEST18 June 2023, 10:00 - 18:00 CEST19 June 2023, 10:00 - 18:00 CEST20 June 2023, 10:00 - 18:00 CEST21 June 2023, 10:00 - 18:00 CEST22 June 2023, 10:00 - 12:00 CESTConditions of SaleView Conditions of Sale
HENRI LE SIDANER (1862-1939)Déjeuner au jardin
signé « LE SIDANER » (en bas au centre)
mine de plomb, crayon de couleur et aquarelle sur papier
exécuté en 1921
signed 'LE SIDANER' (lower center)
pencil, colour pencils and watercolour on paper
executed in 1921
27 x 34 cm (10 5/8 x 13 3/8 in)Footnotes亨利·勒·斯丹纳(1862-1939)
花园里的午餐
白垩粉，彩色粉笔，水彩，纸上，画于1921年
Provenance
Collection Louis Le Sidaner, Paris.
Hammer Galleries, New-York.
Vente, Londres, Sotheby's, 28 novembre 1995, lot 321.
Exposition
Beauvais, Musée Départemental de l'Oise, Douai, Musée de la Chartreuse, Henri Le Sidaner en son jardin de Gerberoy, mai 2001-janvier 2002, no 17.
Bibliographie
Yann Farinaux- Le Sidaner, Le Sidaner L'oeuvre peint et gravé, France 1989, n°1125, ill. p. 159.
Alain Delon, Alain Delon : mon musée secret, in Le Figaro Magazine, 6 octobre 2007, ill. p. 62.
À la Belle époque, la réputation de Le Sidaner n'était pas encore liée au nom de Gerberoy, mais aux évocations de ses voyages lointains qu'il offrait chaque année au public. La Grande guerre lui ayant peu laissé l'occasion de peindre son jardin, il se rattrapa autour des années 20 avec une soudaineté et une frénésie que favorisaient les progrès accomplis. Il revint pour cela au thème familier des tables desservies en ne craignant pas d'affronter le plein soleil d'été gerboréen. On le vit composer une suite des plus diverses et d'une fraîcheur inattendue. « J'ai bûché à en être malade ! », écrivit-il à ses amis. Sans aucun doute, Le Sidaner fut le « grand triomphateur » de la réouverture des Salons, où ses vues de Gerberoy obtinrent un énorme succès. De 1917 à 1921, au long des étés passés à Gerberoy, l'artiste allait peindre presque exclusivement une impressionnante série de tables familiales dans le décor qu'il avait créé : « Je puis vous vanter sans mentir », écrivait-il à ses amis, « la fraîcheur du jardin où nous déjeunerons. » Exécuté à l'été 1921, dans la petite cour de Gerberoy, Le Déjeuner a servi d'étude à une toile homonyme qui restera parmi les plus parfaites que l'artiste a dédié aux tables que les convives viennent à peine de quitter. Ces œuvres extraordinaires, qu'il prit un évident plaisir à composer en virtuose, restent aujourd'hui les pièces les plus convoitées des amateurs.
During the Belle Epoque, Le Sidaner's reputation was not yet linked to the name of Gerberoy, but to the evocations of his distant travels that he presented to the public each year. The Great War having left him little opportunity to paint his garden, he made up for it in the 1920s with a sudden frenzy encouraged by his progress. Undeterred by the full summer sun of Gerberoy, he returned to painting the familiar theme of tables in the aftermath of company. He composed a most diverse series of unexpected freshness. "I worked so hard that I fell ill," he wrote to his friends. Without a doubt, Le Sidaner was the "great triumph" of the reopening of the Salons, where his views of Gerberoy were an enormous success. From 1917 to 1921, throughout the summers spent in Gerberoy, the artist painted almost exclusively an impressive series of family tables in the setting he had created: "I can boast to you without lying," he wrote to his friends, "about the coolness of the garden where we shall lunch." Executed in the summer of 1921, in the small courtyard of Gerberoy, Le Déjeuner served as a study for a painting bearing the same title that will remain among the most perfect that the artist has dedicated to the tables left behind by his guests. These extraordinary works, which he took obvious pleasure in composing as a virtuoso, remain today the pieces most coveted by art lovers.Read MoreAdditional informationAuction informationBuyers' ObligationsALL BIDDERS MUST AGREE THAT THEY HAVE READ AND UNDERSTOOD BONHAMS' CONDITIONS OF SALE AND AGREE TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER'S PREMIUM AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS THE BIDDERS LEGAL RIGHTS.If you have any complaints or questions about the Conditions of Sale, please contact your nearest customer services team.Buyers' Premium and ChargesFor all Sales categories excluding Wine, Coins & Medals and Motor Cars and Motorcycles:Buyer's Premium Rates
28% on the first €40,000 of the Hammer Price
27% from €40,001 to €800,000 the Hammer Price
21% from €800,001 to €4,500,000 the Hammer Price
14.5% on the excess over €4,500,000 of the Hammer PriceTVA at the current rate of 20% will be added to the Buyer's Premium and charges.Shipping NoticesFor information and estimates on domestic and international shipping as well as export licences please contact Bonhams Shipping Department.Related DepartmentsPrints & MultiplesImpressionist and Modern ArtPost-War and Contemporary Art19th Century & Orientalist PaintingsAuction ViewingsParis, Avenue Hoche17 June 2023, 10:00 - 18:00 CEST18 June 2023, 10:00 - 18:00 CEST19 June 2023, 10:00 - 18:00 CEST20 June 2023, 10:00 - 18:00 CEST21 June 2023, 10:00 - 18:00 CEST22 June 2023, 10:00 - 12:00 CESTConditions of SaleView Conditions of Sale
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