PROPERTY FROM THE COLLECTION OF JAY AND LAURA CROUSE Henri Cartier-Bresson On the Banks of the Marne 1938 Gelatin silver print, printed 1980s. 11 7/8 x 17 5/8 in. (30.2 x 44.8 cm). Signed in ink and copyright credit blindstamp in the margin.
Provenance Helen Wright as agent for the photographer Literature Galassi, Henri Cartier-Bresson The Modern Century, pl. 65 there titled Juvisy, France; Montier, Henri Cartier-Bresson and The Artless Art, pl. 111 Artist Bio Henri Cartier-Bresson French • 1908 - 2004 Candidly capturing fleeting moments of beauty among the seemingly ordinary happenings of daily life, Henri Cartier-Bresson's work is intuitive and observational. Initially influenced by the Surrealists' "aimless walks of discovery," he began shooting on his Leica while traveling through Europe in 1932, revealing the hidden drama and idiosyncrasy in the everyday and mundane. The hand-held Leica allowed him ease of movement while attracting minimal notice as he wandered in foreign lands, taking images that matched his bohemian spontaneity with his painterly sense of composition. Cartier-Bresson did not plan or arrange his photographs. His practice was to release the shutter at the moment his instincts told him the scene before him was in perfect balance. This he later famously titled "the decisive moment" — a concept that would influence photographers throughout the twentieth century. View More Works
PROPERTY FROM THE COLLECTION OF JAY AND LAURA CROUSE Henri Cartier-Bresson On the Banks of the Marne 1938 Gelatin silver print, printed 1980s. 11 7/8 x 17 5/8 in. (30.2 x 44.8 cm). Signed in ink and copyright credit blindstamp in the margin.
Provenance Helen Wright as agent for the photographer Literature Galassi, Henri Cartier-Bresson The Modern Century, pl. 65 there titled Juvisy, France; Montier, Henri Cartier-Bresson and The Artless Art, pl. 111 Artist Bio Henri Cartier-Bresson French • 1908 - 2004 Candidly capturing fleeting moments of beauty among the seemingly ordinary happenings of daily life, Henri Cartier-Bresson's work is intuitive and observational. Initially influenced by the Surrealists' "aimless walks of discovery," he began shooting on his Leica while traveling through Europe in 1932, revealing the hidden drama and idiosyncrasy in the everyday and mundane. The hand-held Leica allowed him ease of movement while attracting minimal notice as he wandered in foreign lands, taking images that matched his bohemian spontaneity with his painterly sense of composition. Cartier-Bresson did not plan or arrange his photographs. His practice was to release the shutter at the moment his instincts told him the scene before him was in perfect balance. This he later famously titled "the decisive moment" — a concept that would influence photographers throughout the twentieth century. View More Works
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