Hector Berlioz
Good long autograph letter signed ("Hector Berlioz"), to an unnamed friend [Humbert Ferrand]
informing him that his words are perfect, and that he has just spoken with Brandus, who has agreed voluntarily to engrave the hymn, explaining that his copyist will transpose the piece into F and he will add the words tomorrow, noting that Brandus will be able to provide publicity through his Gazette musicale, mentioning the 'Trojans business' at the Conservatoire, about which Gasperini has written two columns in La Nation, referring also to Gluck, Beethoven ("...even more insulted than Gluck...[trans.]"), Weber and Spontini, lamenting that only people like Flotow, whose dull opera Martha is sung in all languages and all theatres, have panegyrists, stating that he heard that ravishing little Patti singing in it the other day, describing his feeling of being covered in fleas as he left the theatre, admitting that she sang the Irish air 'The Last Rose of Summer' with such poetic simplicity that its gentle perfume almost succeeded in disinfecting the rest of the score, closing by noting that he will send [his son] Louis his congratulations, adding that he [Louis] has read his letters and considers him [Berlioz] to be fortunate in having such a friend
...Je suis allé l'autre jour entendre la ravissante petite Patti qui jouait Martha; en sortant de là il me semblait être couvert de puces comme quand on sort d'un pigeonnier...
3 pages, 8vo (20.5 x 13.3cm), partly erased annotation in red crayon to first page, Paris, 23 December 1864
A lively and highly informative letter by Berlioz to his sometime librettist and friend of long standing, Humbert Ferrand (1800-1868). The hymn Berlioz refers to concerns Ferrand’s plan to publish the Marche from Gluck’s Alceste with words written by himself. With Berlioz’s help this was published by Brandus in February 1865, although no copy has ever been found.
LITERATURECorrespondance générale, vii, p.180 (no.2953)Condition reportCondition is described in the main body of the catalogue where appropriate
Please note that Condition 12 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
Hector Berlioz
Good long autograph letter signed ("Hector Berlioz"), to an unnamed friend [Humbert Ferrand]
informing him that his words are perfect, and that he has just spoken with Brandus, who has agreed voluntarily to engrave the hymn, explaining that his copyist will transpose the piece into F and he will add the words tomorrow, noting that Brandus will be able to provide publicity through his Gazette musicale, mentioning the 'Trojans business' at the Conservatoire, about which Gasperini has written two columns in La Nation, referring also to Gluck, Beethoven ("...even more insulted than Gluck...[trans.]"), Weber and Spontini, lamenting that only people like Flotow, whose dull opera Martha is sung in all languages and all theatres, have panegyrists, stating that he heard that ravishing little Patti singing in it the other day, describing his feeling of being covered in fleas as he left the theatre, admitting that she sang the Irish air 'The Last Rose of Summer' with such poetic simplicity that its gentle perfume almost succeeded in disinfecting the rest of the score, closing by noting that he will send [his son] Louis his congratulations, adding that he [Louis] has read his letters and considers him [Berlioz] to be fortunate in having such a friend
...Je suis allé l'autre jour entendre la ravissante petite Patti qui jouait Martha; en sortant de là il me semblait être couvert de puces comme quand on sort d'un pigeonnier...
3 pages, 8vo (20.5 x 13.3cm), partly erased annotation in red crayon to first page, Paris, 23 December 1864
A lively and highly informative letter by Berlioz to his sometime librettist and friend of long standing, Humbert Ferrand (1800-1868). The hymn Berlioz refers to concerns Ferrand’s plan to publish the Marche from Gluck’s Alceste with words written by himself. With Berlioz’s help this was published by Brandus in February 1865, although no copy has ever been found.
LITERATURECorrespondance générale, vii, p.180 (no.2953)Condition reportCondition is described in the main body of the catalogue where appropriate
Please note that Condition 12 of the Conditions of Business for Buyers (Online Only) is not applicable to this lot.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colors and shades which are different to the lot's actual color and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation. The condition report is a statement of opinion only. For that reason, the condition report is not an alternative to taking your own professional advice regarding the condition of the lot. NOTWITHSTANDING THIS ONLINE CONDITION REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE/BUSINESS APPLICABLE TO THE RESPECTIVE SALE.
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