Hardie (Martin). Etchings and Dry Points from 1902 to 1924, by James McBey A Catalogue, 1st edition, P. & D. Colnaghi & Co., 1925, original etching (Artist and Model), bound in as frontispiece, from the edition of 510 proofs, signed in ink, monochrome illustrations, top edge gilt, original quarter reversed calf, rubbed and worn on spine, with loss, 4to, limited edition 443/500, signed by the publisher, together with: Carter (Charles). Etchings and Dry Points from 1924 by James McBey A Supplement, Aberdeen Art Gallery, 1962, monochrome illustrations, original cloth, some light soiling and handling marks, 4to, plus: Dodgson (Campbell). Etchings & Dry Points by Muirhead Bone I. 1898-1907, A Catalogue, 1st edition, Obach & Co., 1909, original etched frontispiece, top edge gilt, remainder untrimmed, original quarter reversed calf gilt, rubbed and scuffed to joints and head and foot of spine, 4to, limited edition 208/275, signed by the publishers, and: Dodgson (Campbell). A Catalogue of Etchings by Augustus John 1901-1914, 1st edition, Charles Chenil and Co., 1920, monochrome illustrations, original quarter cloth, rubbed and some soiling and staining, 4to, limited edition 134/325, with an exhibition catalogue of etchings by Augustus John at the Chenil Gallery, 1919, loosely inserted, 4to, and others related: Louis A. Wuerth, Catalogue of the Etchings of Joseph Pennell Alan Wofsy Fine Arts, 1998, Loys Delteil & Harold J.L. Wright, Catalogue Raisonné of the Etchings of Charles Meryon Alan Wofsy Fine Arts, 1989, Richard S. Schneiderman, The Catalogue Raisonné of the Prints of Charles Meryon Garton & Co., 1990, Edward G. Kennedy, The Etched Work of Whistler, Alan Wofsy Fine Arts, 1978, Hjert & Hjert, Zorn, Engravings, A Complete Catalogue, 1980, plus a bound photocopy of Continuation of Etchings & Dry Points by Muirhead Bone mostly in dust wrappers, all 4to (Qty: 10)
Hardie (Martin). Etchings and Dry Points from 1902 to 1924, by James McBey A Catalogue, 1st edition, P. & D. Colnaghi & Co., 1925, original etching (Artist and Model), bound in as frontispiece, from the edition of 510 proofs, signed in ink, monochrome illustrations, top edge gilt, original quarter reversed calf, rubbed and worn on spine, with loss, 4to, limited edition 443/500, signed by the publisher, together with: Carter (Charles). Etchings and Dry Points from 1924 by James McBey A Supplement, Aberdeen Art Gallery, 1962, monochrome illustrations, original cloth, some light soiling and handling marks, 4to, plus: Dodgson (Campbell). Etchings & Dry Points by Muirhead Bone I. 1898-1907, A Catalogue, 1st edition, Obach & Co., 1909, original etched frontispiece, top edge gilt, remainder untrimmed, original quarter reversed calf gilt, rubbed and scuffed to joints and head and foot of spine, 4to, limited edition 208/275, signed by the publishers, and: Dodgson (Campbell). A Catalogue of Etchings by Augustus John 1901-1914, 1st edition, Charles Chenil and Co., 1920, monochrome illustrations, original quarter cloth, rubbed and some soiling and staining, 4to, limited edition 134/325, with an exhibition catalogue of etchings by Augustus John at the Chenil Gallery, 1919, loosely inserted, 4to, and others related: Louis A. Wuerth, Catalogue of the Etchings of Joseph Pennell Alan Wofsy Fine Arts, 1998, Loys Delteil & Harold J.L. Wright, Catalogue Raisonné of the Etchings of Charles Meryon Alan Wofsy Fine Arts, 1989, Richard S. Schneiderman, The Catalogue Raisonné of the Prints of Charles Meryon Garton & Co., 1990, Edward G. Kennedy, The Etched Work of Whistler, Alan Wofsy Fine Arts, 1978, Hjert & Hjert, Zorn, Engravings, A Complete Catalogue, 1980, plus a bound photocopy of Continuation of Etchings & Dry Points by Muirhead Bone mostly in dust wrappers, all 4to (Qty: 10)
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