GREGYNOG PRESS -- DAVIES, William Henry (1871-1940). The Lover's Song Book . Newtown: Gregynog Press, 1931. 8° (232 x 153mm). Half title, Poliphilus type, printed on Japanese vellum, sepia-coloured wood-engraved frontispiece, illustration on title, initials and tailpieces, each text page with double rules down the gutter and along tail, all illustrations by Blair Hughes-Stanton. Contemporary blue cloth.
GREGYNOG PRESS -- DAVIES, William Henry (1871-1940). The Lover's Song Book . Newtown: Gregynog Press, 1931. 8° (232 x 153mm). Half title, Poliphilus type, printed on Japanese vellum, sepia-coloured wood-engraved frontispiece, illustration on title, initials and tailpieces, each text page with double rules down the gutter and along tail, all illustrations by Blair Hughes-Stanton. Contemporary blue cloth. "9 COPIES PRINTED BY WILLIAM MACANCE AT THE GREGYNOG PRESS ... Japonese Vellum paper. Engravings and initials by Blair Hughes-Stanton", manuscript inscription on rear blank. Harrop in A History of the Gregynog Press (p.83) describes the work but does not mention a limitation nor does he list this edition in the bibliography.
GREGYNOG PRESS -- DAVIES, William Henry (1871-1940). The Lover's Song Book . Newtown: Gregynog Press, 1931. 8° (232 x 153mm). Half title, Poliphilus type, printed on Japanese vellum, sepia-coloured wood-engraved frontispiece, illustration on title, initials and tailpieces, each text page with double rules down the gutter and along tail, all illustrations by Blair Hughes-Stanton. Contemporary blue cloth.
GREGYNOG PRESS -- DAVIES, William Henry (1871-1940). The Lover's Song Book . Newtown: Gregynog Press, 1931. 8° (232 x 153mm). Half title, Poliphilus type, printed on Japanese vellum, sepia-coloured wood-engraved frontispiece, illustration on title, initials and tailpieces, each text page with double rules down the gutter and along tail, all illustrations by Blair Hughes-Stanton. Contemporary blue cloth. "9 COPIES PRINTED BY WILLIAM MACANCE AT THE GREGYNOG PRESS ... Japonese Vellum paper. Engravings and initials by Blair Hughes-Stanton", manuscript inscription on rear blank. Harrop in A History of the Gregynog Press (p.83) describes the work but does not mention a limitation nor does he list this edition in the bibliography.
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