Georgia Pesket Voile IV, 2022 Oil and Pastel on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education Epsom School of Art and Design Select Exhibitions/Awards Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation Cupola Gallery Sheffield, Rise Art London, Singulart Paris Statement about AOAP Submitted Artwork Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Georgia Pesket Voile IV, 2022 Oil and Pastel on Card Signed verso 15 x 10cm (5¾ x 3¾ in.) About Born London 1965: Derbyshire since 2003: Georgia began painting during a three year apprenticeship in New York following her formal art training at Epsom School of Art and Design. During this time in New York she began painting with acrylics on canvas the New York cityscapes and figurative urban landscapes. Recently her paintings are drawing on the long tradition of the Memento Mori. Observational studies of flowers in various states. Education Epsom School of Art and Design Select Exhibitions/Awards Royal Academy Summer Exhibition '15, 19, 20, 22 Discerning Eye 2000, '20, '21 Columbia Threadneedle Prize 2018 Wells Art Contemporary '22 Gallery Representation Cupola Gallery Sheffield, Rise Art London, Singulart Paris Statement about AOAP Submitted Artwork Glass Series: Observations of views through windows and veils. The effects of the environment play an important part in the making of these works; allowing distortions and additional layers to evolve in the paintings, light reflections from other sources bring an element of abstraction into these figurative studies. Some of these paintings use the botanical somehow obscured representing the passing of time. Pieces that may be observed as a Memento Mori. Some touching upon the ageing process; in particular how this can mean increased invisibility for women. The 'Voile' series using veils and net to shield from view what's happening beyond. Painted with a combination of pastels, oil, liquin and wax on stabilised papers Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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