FRANCESCO MAZZOLA, CALLED PARMIGIANINO (1503-1540) Judith etching, circa 1520-40, on laid paper, without watermark, a very good impression of Gnann's second state (of three), Jenkins' second state (of four), before any of the later re-work with the burin, a thread margin above and a partial thread margin at right, otherwise trimmed to or just outside the subject, a short tear at the upper right corner, pale scattered foxing, otherwise in good condition, framed Plate & Sheet 154 x 92 mm. Provenance Sir Mark Masterman Sykes (1771-1823), Sledmere House, York (Lugt 1897); his sale, Sotheby's London, 5 June 1824 and following days (part lot 189 or lot 190). Dr. Carl von Guérard (d. 1904), Elberfeld, Germany (Lugt 1109); probably his sale, J. M. Heberle, Cologne, 22 May 1905 and following days. Unidentified initials F.P in brown ink recto (not in Lugt).
FRANCESCO MAZZOLA, CALLED PARMIGIANINO (1503-1540) Judith etching, circa 1520-40, on laid paper, without watermark, a very good impression of Gnann's second state (of three), Jenkins' second state (of four), before any of the later re-work with the burin, a thread margin above and a partial thread margin at right, otherwise trimmed to or just outside the subject, a short tear at the upper right corner, pale scattered foxing, otherwise in good condition, framed Plate & Sheet 154 x 92 mm. Provenance Sir Mark Masterman Sykes (1771-1823), Sledmere House, York (Lugt 1897); his sale, Sotheby's London, 5 June 1824 and following days (part lot 189 or lot 190). Dr. Carl von Guérard (d. 1904), Elberfeld, Germany (Lugt 1109); probably his sale, J. M. Heberle, Cologne, 22 May 1905 and following days. Unidentified initials F.P in brown ink recto (not in Lugt).
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