Four Works on Paper: Aristide Maillol (French, 1861-1944), Daphnis and Chloe, edition of 250, unsigned, identified on a Far Gallery, New York, label on the reverse, woodcut, sight size 7 1/2 x 4 7/8 in., framed, (staining to lower margin, not examined out of frame); Jack Levine (American, 1915-2010), Woodstock Pastoral or Nymph and Satyr, signed and dated "J Levine 1950" and numbered "16/20" l.r., and identified on The Athena Gallery, New Haven, label on the reverse, etching, sight size 9 1/4 x 10 in., framed, (not examined out of frame); and Louis-Léopold Boilly (French, 1761-1845), Les Cancans #48 and L'Avarice, both 1824, signed with the plate, identified on Artifax labels on the reverse, hand-colored engravings, sight size 11 1/4 x 7 7/8 in., framed, (toning, creasing, tears and repairs to Cancans, not examined out of frames).
Four Works on Paper: Aristide Maillol (French, 1861-1944), Daphnis and Chloe, edition of 250, unsigned, identified on a Far Gallery, New York, label on the reverse, woodcut, sight size 7 1/2 x 4 7/8 in., framed, (staining to lower margin, not examined out of frame); Jack Levine (American, 1915-2010), Woodstock Pastoral or Nymph and Satyr, signed and dated "J Levine 1950" and numbered "16/20" l.r., and identified on The Athena Gallery, New Haven, label on the reverse, etching, sight size 9 1/4 x 10 in., framed, (not examined out of frame); and Louis-Léopold Boilly (French, 1761-1845), Les Cancans #48 and L'Avarice, both 1824, signed with the plate, identified on Artifax labels on the reverse, hand-colored engravings, sight size 11 1/4 x 7 7/8 in., framed, (toning, creasing, tears and repairs to Cancans, not examined out of frames).
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
