FORE-EDGE PAINTINGS -- GRAY, Thomas. Poems, London, Chiswick Press, 1879, 4°, mounted photographic plates, contemporary calf, ruled and tooled in gilt, raised bands, gilt inner dentelles (extremities rubbed), g.e.; with a fore-edge painting of a Manor House in flames alongside the Thames, with St. Paul's Cathedral on the opposite bank -- ERCKMANN, Emile & Pierre Alexandre CHATRIAN, Bill. Le Blocus; Episode de la Fin de l'Empire, [n.d.], 8°, contemporary crimson morocco, spine gilt (extremities rubbed), g.e.; with a fore-edge painting of cherubs in a landscape, after François Boucher -- HUNT, Leigh. The Poetical Works, London, Edward Moxon, 1849, 12°, contemporary calf (extremities rubbed), g.e.; with a fore-edge painting after a Dutch Old Master, of a skating scene. (3)
FORE-EDGE PAINTINGS -- GRAY, Thomas. Poems, London, Chiswick Press, 1879, 4°, mounted photographic plates, contemporary calf, ruled and tooled in gilt, raised bands, gilt inner dentelles (extremities rubbed), g.e.; with a fore-edge painting of a Manor House in flames alongside the Thames, with St. Paul's Cathedral on the opposite bank -- ERCKMANN, Emile & Pierre Alexandre CHATRIAN, Bill. Le Blocus; Episode de la Fin de l'Empire, [n.d.], 8°, contemporary crimson morocco, spine gilt (extremities rubbed), g.e.; with a fore-edge painting of cherubs in a landscape, after François Boucher -- HUNT, Leigh. The Poetical Works, London, Edward Moxon, 1849, 12°, contemporary calf (extremities rubbed), g.e.; with a fore-edge painting after a Dutch Old Master, of a skating scene. (3)
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