Elihu Vedder (American, 1836-1923) Cumaean Sibyl in the Wilderness Signed, inscribed, and dated "ELIHU VEDDER/Rome 1876" l.r. Oil on canvas, 37 3/4 x 58 3/4 in. (95.9 x 149.2 cm), framed. Condition: Lined, retouch, craquelure, very minor paint losses, undergrid visible beneath the paint layer in thinly painted areas. N.B. This is a monochromatic version of The Sibyl Returning to Tarquin that is now in the collection of the Detroit Institute of Arts. The two paintings are approximately the same size. Detroit's painting was originally purchased for Wellesley College in 1880 and has been widely published, but the version at hand is relatively unknown. In The Digressions of V. (Houghton Mifflin Company, 1910), among his entries for 1876, Vedder mentions another "Drawing of the Cumaean Sibyl" which he describes as "a monochrome in brown -- oil-colour. I wish it had been better, but she wanted it. Of course I greatly improved things in the picture I painted afterwards." Although Vedder often listed the buyer of the paintings, in this case, unfortunately, he left that line blank. The consignor reports that the painting was acquired by her family at least 50 years ago from the collection of the Gillette family of Connecticut.
Elihu Vedder (American, 1836-1923) Cumaean Sibyl in the Wilderness Signed, inscribed, and dated "ELIHU VEDDER/Rome 1876" l.r. Oil on canvas, 37 3/4 x 58 3/4 in. (95.9 x 149.2 cm), framed. Condition: Lined, retouch, craquelure, very minor paint losses, undergrid visible beneath the paint layer in thinly painted areas. N.B. This is a monochromatic version of The Sibyl Returning to Tarquin that is now in the collection of the Detroit Institute of Arts. The two paintings are approximately the same size. Detroit's painting was originally purchased for Wellesley College in 1880 and has been widely published, but the version at hand is relatively unknown. In The Digressions of V. (Houghton Mifflin Company, 1910), among his entries for 1876, Vedder mentions another "Drawing of the Cumaean Sibyl" which he describes as "a monochrome in brown -- oil-colour. I wish it had been better, but she wanted it. Of course I greatly improved things in the picture I painted afterwards." Although Vedder often listed the buyer of the paintings, in this case, unfortunately, he left that line blank. The consignor reports that the painting was acquired by her family at least 50 years ago from the collection of the Gillette family of Connecticut.
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
