(Peinture) - - FRIEDLÄNDER, Max Julius.- Die Altniederländische Malerei. BERLIN [- LEIDEN], PAUL CASSIRER [- A.W. SIJTHOFF'S], 1924 [- 1937]. 14 vol. in-4° (rare foxing or marginal stains). Publisher's binding : threequarter blue cloth, white paper boards, gilt decorated flat spines, black top edges (some small wears, cloth of vol. I slightly faded).
FIRST EDITION of this exhaustive monograph on the Early Netherlandish painters, or Flemish primitives, dedicated to Van Eyck, Petrus Christus Van der Weyden, Robert Campin ("Maître de Flémalle"), Bosch, Memling, Gossart, Van Orley, Van Cleve, Patenier, Provost, Lucas van Leyde, Brueghel, etc. Illustrated with 1.233 reproductions in black. The Netherlandish art scholar Friedländer (1867-1958) was the Director of the Paintings Department of the Berlin State Museums. His retirement age coincided with the ascension of the Nazism in 1933. He then left the museum and worked as an art expertiser for German and foreign art dealers including Hermann Goering who protected him. Friedländer identified numerous anonymous Flemish painters employing notnames. -- Édition originale de cette importante monographie sur les primitifs flamands illustrée de 1.233 reproductions. Demi-toile bleue d'éd. Top J'enchéris
(Peinture) - - FRIEDLÄNDER, Max Julius.- Die Altniederländische Malerei. BERLIN [- LEIDEN], PAUL CASSIRER [- A.W. SIJTHOFF'S], 1924 [- 1937]. 14 vol. in-4° (rare foxing or marginal stains). Publisher's binding : threequarter blue cloth, white paper boards, gilt decorated flat spines, black top edges (some small wears, cloth of vol. I slightly faded).
FIRST EDITION of this exhaustive monograph on the Early Netherlandish painters, or Flemish primitives, dedicated to Van Eyck, Petrus Christus Van der Weyden, Robert Campin ("Maître de Flémalle"), Bosch, Memling, Gossart, Van Orley, Van Cleve, Patenier, Provost, Lucas van Leyde, Brueghel, etc. Illustrated with 1.233 reproductions in black. The Netherlandish art scholar Friedländer (1867-1958) was the Director of the Paintings Department of the Berlin State Museums. His retirement age coincided with the ascension of the Nazism in 1933. He then left the museum and worked as an art expertiser for German and foreign art dealers including Hermann Goering who protected him. Friedländer identified numerous anonymous Flemish painters employing notnames. -- Édition originale de cette importante monographie sur les primitifs flamands illustrée de 1.233 reproductions. Demi-toile bleue d'éd. Top J'enchéris
.jpg "Source: Christie's")
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
