DescriptionJohn Sell CotmanNorwich 1782 - 1842 LondonThe Anglers
Watercolour over pencil, heightened with bodycolour and stopping out 365 by 275 mmCondition reportThe colours in this watercolour have survived well and the sheet itself is well preserved. The work is not laid down and is well presented.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."ProvenanceThomas Woolner, R.A. (1825-1892);
Mrs Stephens;
with Walker Gallery, London, by 1922;
Victor Rienaecker (1887-1963);
J. Leslie Wright (1862-1953);
Guy Harvey-Samuel (1887-1960)
with The Fine Art Society, London, by 1960LiteratureThe Studio, August 1922;
The Burlington Magazine, vol. 102, 1960, p. 220;
V. Rienaecker, John Sell Cotman (1782-1842), Leigh-on-Sea 1953, pl. 4ExhibitedTate Gallery, Works by John Sell Cotman, 1922, no. 119;
The Royal Society of British Artists, “Centenary Exhibition”, 1923, no. 30;
Leamington, The Art Gallery, 1938, no. 56;
Birmingham, The City Art Gallery, Early English Watercolours from the Collections of J. Leslie Wright and Walter Turner, 1938, no. 106Catalogue note
DescriptionJohn Sell CotmanNorwich 1782 - 1842 LondonThe Anglers
Watercolour over pencil, heightened with bodycolour and stopping out 365 by 275 mmCondition reportThe colours in this watercolour have survived well and the sheet itself is well preserved. The work is not laid down and is well presented.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue. NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."ProvenanceThomas Woolner, R.A. (1825-1892);
Mrs Stephens;
with Walker Gallery, London, by 1922;
Victor Rienaecker (1887-1963);
J. Leslie Wright (1862-1953);
Guy Harvey-Samuel (1887-1960)
with The Fine Art Society, London, by 1960LiteratureThe Studio, August 1922;
The Burlington Magazine, vol. 102, 1960, p. 220;
V. Rienaecker, John Sell Cotman (1782-1842), Leigh-on-Sea 1953, pl. 4ExhibitedTate Gallery, Works by John Sell Cotman, 1922, no. 119;
The Royal Society of British Artists, “Centenary Exhibition”, 1923, no. 30;
Leamington, The Art Gallery, 1938, no. 56;
Birmingham, The City Art Gallery, Early English Watercolours from the Collections of J. Leslie Wright and Walter Turner, 1938, no. 106Catalogue note
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