Cousin, Jean, after] - DE JODE, Peter I - Universalis Iudicii paradigma . Paris, P. Drevet, early 17th c., a later impression ?, suite of 11 (of 12) engravings. Loose (margins soiled and stained, some spotting, tear in title margin). Good set.
Rare suite by Peter I De Jode (1570-1634) after the famous Last Judgement painted by “the French Michelangelo” Jean Cousin (16th c.) for the Church of Vincennes (now at the Louvre). The edition, dedicated to Louis XIII by “Guilielmus Wittenbroot Belga” consists of an engraved title , c. 25,5 x 42 cm, within ornamental scrollwork border, 1 (of 2) engraved ff . with biblical quotations, c. 25,5 x 42 cm and 9 large engravings , c. 48,5 x 40,5 cm, illustrating the Last Judgement. 1 pl. with approbation by Laurens Beyerlinck. Ref. Hollstein IX, p. 204, 83.
Cousin, Jean, after] - DE JODE, Peter I - Universalis Iudicii paradigma . Paris, P. Drevet, early 17th c., a later impression ?, suite of 11 (of 12) engravings. Loose (margins soiled and stained, some spotting, tear in title margin). Good set.
Rare suite by Peter I De Jode (1570-1634) after the famous Last Judgement painted by “the French Michelangelo” Jean Cousin (16th c.) for the Church of Vincennes (now at the Louvre). The edition, dedicated to Louis XIII by “Guilielmus Wittenbroot Belga” consists of an engraved title , c. 25,5 x 42 cm, within ornamental scrollwork border, 1 (of 2) engraved ff . with biblical quotations, c. 25,5 x 42 cm and 9 large engravings , c. 48,5 x 40,5 cm, illustrating the Last Judgement. 1 pl. with approbation by Laurens Beyerlinck. Ref. Hollstein IX, p. 204, 83.
.jpg "Source: Christie's")
.jpg "Source: Christie's")
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
