colour lithograph, on wove paper, signed in pencil lower right, 400 x 280 mm., several large repaired tears, handling creases, surface dirt and light browning, unframed, circa 1922; together with a colour lithograph of 'Compagnie Francaise des Chocolats et des Thés', after Théophile Alexandre Steinlen (1859-1923), from Les Maitres de l'Affiche, pl. 170, 400 x 290 mm., light browning and surface dirt; and with 'Harper's May', after Edward Penfield (1866-1925), from Les Maitres de l'Affiche, pl.115, 400 x 290 mm., some adhesive stains to corners, otherwise light browning with sun exposure lines from previous mount; and with the illustrated cover to Harper's Weekly, after Henry J. Peck, September 5th, 1908, all unframed, (4).
colour lithograph, on wove paper, signed in pencil lower right, 400 x 280 mm., several large repaired tears, handling creases, surface dirt and light browning, unframed, circa 1922; together with a colour lithograph of 'Compagnie Francaise des Chocolats et des Thés', after Théophile Alexandre Steinlen (1859-1923), from Les Maitres de l'Affiche, pl. 170, 400 x 290 mm., light browning and surface dirt; and with 'Harper's May', after Edward Penfield (1866-1925), from Les Maitres de l'Affiche, pl.115, 400 x 290 mm., some adhesive stains to corners, otherwise light browning with sun exposure lines from previous mount; and with the illustrated cover to Harper's Weekly, after Henry J. Peck, September 5th, 1908, all unframed, (4).
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