Charlotte Evans August, 2023 Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About British born now living in Toronto, Charlotte Evans makes paintings based on memory and myth. Highly saturated and often theatrical, her paintings examine what it is that ties us to the people and places from our past and how that informs how we connect to our present. Education BA Hons Fine Art Byam Shaw School of Art (now part of Central Saint Martins) Select Exhibitions/Awards May 13-June 9 2023 'Kiss the Joy that Flies' solo exhibition with Candida Stevens Gallery Gallery Representation Candida Stevens Gallery Statement about AOAP Submitted Artwork A riff on an ongoing series of works on panel, of 'Players'- portraits of, on the whole, entirely fictional characters that make later appearances in my larger works. The series represents a process not dissimilar to that of a writer's character development. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Charlotte Evans August, 2023 Gouache on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About British born now living in Toronto, Charlotte Evans makes paintings based on memory and myth. Highly saturated and often theatrical, her paintings examine what it is that ties us to the people and places from our past and how that informs how we connect to our present. Education BA Hons Fine Art Byam Shaw School of Art (now part of Central Saint Martins) Select Exhibitions/Awards May 13-June 9 2023 'Kiss the Joy that Flies' solo exhibition with Candida Stevens Gallery Gallery Representation Candida Stevens Gallery Statement about AOAP Submitted Artwork A riff on an ongoing series of works on panel, of 'Players'- portraits of, on the whole, entirely fictional characters that make later appearances in my larger works. The series represents a process not dissimilar to that of a writer's character development. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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