(Books & Works on Paper including Autographs & Memorabilia, 31st March 2020) Italian Old Masters. Italian Old Masters.- Buonarroti (Michelangelo, after) & Beatrizet (Nicholas, engraver) The Fall of Phaeton, state with lettering ‘Mich. Ang. Flor. inv.’ and with Philippe Thomassin 's imprint engraving, [according to Bartsch, retouched by Thomassin and published by him before his death in 1622, subsequently republished by de Rossi in 1649], 413 x 282mm, [Bartsch XV.258.38], Girolamo Rossi the Elder, Rome, 1649; Del Sarto (Andrea, after) Saint John Blessing the Multitude, watermark, after one of the grisaille frescoes in the Chiostro dello Scalzo, Florence (1511-26), trimmed, central vertical fold, small repairs on verso, 1617 (see ‘Pitture a fresco di Andrea del Sarto esistenti nella Compagnia dello Scalzo in Firenze’, Tipografia all'Insegna di Dante, 1830, pl. 8); Palma (Jacopo, after) & Van Kessell (Thorodor) Mary Magdalene, from ‘Theatrum Pictorium, or Theatre of Painting’, some dustsoiling and spotting, [Hollstein IX], David Teniers the Younger, c. 1660; Reni (Guido, after), Langot (François) & Weyen (Herman) St. Francis in the wilderness, browned, [Pepper 134], c. 1640-1680; Veronese (Paolo, after) L'amour heureux, from ‘Cabinet Crozat’, II, etching and engraving, small repairs on verso, c. 1729-1739; Raphael (after) & Soutman (P., engraver) Tu es Petrus…, one corner chipped, [Catalogue raisonné du cabinet d'estampes de feu Mr. Winckler…, 3670], n.d.; Reni (Guido, after) & Winstanley (H., engraver) Juxta exemplar in aedibus praenobilis [Adam and Eve expelled from Eden by an angel], small repairs on verso, etching, [Wellcome Library no. 8686i], 1728; Il Guercino, G.F. Barbieri (after) & Frey (J., engravfer) Petronillae Virginis. Quae Flacci Nobilis Viri coniugium spernens [...] [The burial of St. Petronilla and her apotheosis as she is received by Christ], after Guercino's 1623 painting now in the Museo Capitolino, reinforced, creased, browned and dustsoiled, Rome, 1731; Titian (after) & Baron (Bernard, engraver) The Cornaro Family, engraving and etching, trimmed, repairs on verso, browned and dustsoiled, London, 1732; with others or related interest, engravings, v.s. (small quantity)
(Books & Works on Paper including Autographs & Memorabilia, 31st March 2020) Italian Old Masters. Italian Old Masters.- Buonarroti (Michelangelo, after) & Beatrizet (Nicholas, engraver) The Fall of Phaeton, state with lettering ‘Mich. Ang. Flor. inv.’ and with Philippe Thomassin 's imprint engraving, [according to Bartsch, retouched by Thomassin and published by him before his death in 1622, subsequently republished by de Rossi in 1649], 413 x 282mm, [Bartsch XV.258.38], Girolamo Rossi the Elder, Rome, 1649; Del Sarto (Andrea, after) Saint John Blessing the Multitude, watermark, after one of the grisaille frescoes in the Chiostro dello Scalzo, Florence (1511-26), trimmed, central vertical fold, small repairs on verso, 1617 (see ‘Pitture a fresco di Andrea del Sarto esistenti nella Compagnia dello Scalzo in Firenze’, Tipografia all'Insegna di Dante, 1830, pl. 8); Palma (Jacopo, after) & Van Kessell (Thorodor) Mary Magdalene, from ‘Theatrum Pictorium, or Theatre of Painting’, some dustsoiling and spotting, [Hollstein IX], David Teniers the Younger, c. 1660; Reni (Guido, after), Langot (François) & Weyen (Herman) St. Francis in the wilderness, browned, [Pepper 134], c. 1640-1680; Veronese (Paolo, after) L'amour heureux, from ‘Cabinet Crozat’, II, etching and engraving, small repairs on verso, c. 1729-1739; Raphael (after) & Soutman (P., engraver) Tu es Petrus…, one corner chipped, [Catalogue raisonné du cabinet d'estampes de feu Mr. Winckler…, 3670], n.d.; Reni (Guido, after) & Winstanley (H., engraver) Juxta exemplar in aedibus praenobilis [Adam and Eve expelled from Eden by an angel], small repairs on verso, etching, [Wellcome Library no. 8686i], 1728; Il Guercino, G.F. Barbieri (after) & Frey (J., engravfer) Petronillae Virginis. Quae Flacci Nobilis Viri coniugium spernens [...] [The burial of St. Petronilla and her apotheosis as she is received by Christ], after Guercino's 1623 painting now in the Museo Capitolino, reinforced, creased, browned and dustsoiled, Rome, 1731; Titian (after) & Baron (Bernard, engraver) The Cornaro Family, engraving and etching, trimmed, repairs on verso, browned and dustsoiled, London, 1732; with others or related interest, engravings, v.s. (small quantity)
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.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
.jpg "Source: Christie's")
