Beschreibung:

Artist: John Doherty (b.1949) Title: Trailor with Accessories, Dingle Peninsula, Co. Kerry Signature: signed, titled & dated on reverse Medium: acrylic on canvas Size: 43 x 71¼cm (17 x 28in) Provenance: Taylor Galleries, Dublin (label verso); Solomon Fine Art, Dublin (label verso); De Vere's, Dublin, 20th April 2009, Lot 50; Private Collection Exhibited: Important Irish & British And Master Prints, Merrion Hotel, Dublin 14th -16th November 2008 More info: Click to read more about this lot John Doherty was born in Kilkenny in 1949. He studied architecture at Bolton Street College of Technology, Dublin from 1968 to 1973 before moving to Sydney for five years where he decided to pursue a career as an artist. Although the subject matter of much of Doherty’s work belongs to the forlorn and crumbling remains of an Ireland that, though familiar, has been consigned to history, his realism is immediately attractive for its apparently benign normality. The abandoned corner shops and bars, the rusting petrol pumps, rotting boats and disused oil drums seem harmless enough, but upon closer inspection they assume a dark humour. Doherty’s images, coupled with the wry wit of their titles, point towards the human stories that exist behind the facades of places and things inhabited and used countless times over the years. Rendered in an incredibly skilled acrylic photo-realism, his paintings make the different country of the past seem both tangible and real. He has exhibited regularly in the Royal Hibernian Academy’s Annual Exhibition and his work is represented in private collections in Ireland, Australia, America and Europe, and included in the public collections of the National Gallery of Victoria, Melbourne; Institute of Modern Art, Chicago; the Irish National Stud, AIB Dublin and London; and Artbank, Sydney.

Auktionsarchiv: Los-Nr. 50
Beschreibung:

Artist: John Doherty (b.1949) Title: Trailor with Accessories, Dingle Peninsula, Co. Kerry Signature: signed, titled & dated on reverse Medium: acrylic on canvas Size: 43 x 71¼cm (17 x 28in) Provenance: Taylor Galleries, Dublin (label verso); Solomon Fine Art, Dublin (label verso); De Vere's, Dublin, 20th April 2009, Lot 50; Private Collection Exhibited: Important Irish & British And Master Prints, Merrion Hotel, Dublin 14th -16th November 2008 More info: Click to read more about this lot John Doherty was born in Kilkenny in 1949. He studied architecture at Bolton Street College of Technology, Dublin from 1968 to 1973 before moving to Sydney for five years where he decided to pursue a career as an artist. Although the subject matter of much of Doherty’s work belongs to the forlorn and crumbling remains of an Ireland that, though familiar, has been consigned to history, his realism is immediately attractive for its apparently benign normality. The abandoned corner shops and bars, the rusting petrol pumps, rotting boats and disused oil drums seem harmless enough, but upon closer inspection they assume a dark humour. Doherty’s images, coupled with the wry wit of their titles, point towards the human stories that exist behind the facades of places and things inhabited and used countless times over the years. Rendered in an incredibly skilled acrylic photo-realism, his paintings make the different country of the past seem both tangible and real. He has exhibited regularly in the Royal Hibernian Academy’s Annual Exhibition and his work is represented in private collections in Ireland, Australia, America and Europe, and included in the public collections of the National Gallery of Victoria, Melbourne; Institute of Modern Art, Chicago; the Irish National Stud, AIB Dublin and London; and Artbank, Sydney.

Auktionsarchiv: Los-Nr. 50
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