Andy Warhol Seven works: (i) Street Scene (Bicycles); (ii) Gate and Statue of Mao; (iii) Scooters; (iv) Airport Parking Lot; (v) Young Man at Great Wall; (vi) Old Man; (vii) Park 七件作品: (i)《街景 (單車)》、(ii)《大閘與毛澤東雕像》、(iii)《摩托車》、(iv)《機場停車場》、(v)《萬里長城上的青年》、(vi)《老翁》、(vii)《公園》 1982 Each with blindstamp credit in the margin. Initialled ‘T.J.H.’ by Timothy J. Hunt of the Andy Warhol Foundation in pencil, estate copyright credit reproduction limitation and date stamps on the verso. Seven gelatin silver prints Each image: 20.3 x 25.4 cm. (7 7/8 x 10 in.) or the reverse. Each accompanied by a Certificate of Authenticity signed in ink by the Andy Warhol Foundation for the Visual Arts, Inc.
Provenance The Andy Warhol Foundation for the Visual Arts, Inc., New York Acquired from the above by the present owner Exhibited (i), (iii), (v) - (vii): Woodstock, Blenheim Palace, Ai Weiwei at Blenheim Palace, 1 October 2014 – 26 April 2015 (v): Melbourne, National Gallery of Victoria; Pittsburgh, The Andy Warhol Museum, Andy Warhol / Ai Weiwei 11 December 2015 – 11 September 2016 Literature Nicholas Chambers, Michael Frahm and Tony Godfrey, eds., Warhol in China, Germany, 2014, (i) pp. 222-223, 304; (ii) pp. 125, 301; (iii) pp. 211, 304; (iv) pp. 217, 304; (v) pp. 291, 306; (vi) pp. 144, 301; (vii) pp. 268, 305 (illustrated) Artist Bio Andy Warhol American • 1928 - 1987 A seminal figure in the Pop Art movement of the early 1960s, Andy Warhol's paintings and screenprints are iconic beyond the scope of Art History, having become universal signifiers of an age. An early career in commercial illustration led to Warhol's appropriation of imagery from American popular culture and insistent concern with the superficial wonder of permanent commodification that yielded a synthesis of word and image, of art and the everyday. Warhol's obsession with creating slick, seemingly mass-produced artworks led him towards the commercial technique of screenprinting, which allowed him to produce large editions of his painted subjects. The clean, mechanical surface and perfect registration of the screenprinting process afforded Warhol a revolutionary absence of authorship that was crucial to the Pop Art manifesto. View More Works
Andy Warhol Seven works: (i) Street Scene (Bicycles); (ii) Gate and Statue of Mao; (iii) Scooters; (iv) Airport Parking Lot; (v) Young Man at Great Wall; (vi) Old Man; (vii) Park 七件作品: (i)《街景 (單車)》、(ii)《大閘與毛澤東雕像》、(iii)《摩托車》、(iv)《機場停車場》、(v)《萬里長城上的青年》、(vi)《老翁》、(vii)《公園》 1982 Each with blindstamp credit in the margin. Initialled ‘T.J.H.’ by Timothy J. Hunt of the Andy Warhol Foundation in pencil, estate copyright credit reproduction limitation and date stamps on the verso. Seven gelatin silver prints Each image: 20.3 x 25.4 cm. (7 7/8 x 10 in.) or the reverse. Each accompanied by a Certificate of Authenticity signed in ink by the Andy Warhol Foundation for the Visual Arts, Inc.
Provenance The Andy Warhol Foundation for the Visual Arts, Inc., New York Acquired from the above by the present owner Exhibited (i), (iii), (v) - (vii): Woodstock, Blenheim Palace, Ai Weiwei at Blenheim Palace, 1 October 2014 – 26 April 2015 (v): Melbourne, National Gallery of Victoria; Pittsburgh, The Andy Warhol Museum, Andy Warhol / Ai Weiwei 11 December 2015 – 11 September 2016 Literature Nicholas Chambers, Michael Frahm and Tony Godfrey, eds., Warhol in China, Germany, 2014, (i) pp. 222-223, 304; (ii) pp. 125, 301; (iii) pp. 211, 304; (iv) pp. 217, 304; (v) pp. 291, 306; (vi) pp. 144, 301; (vii) pp. 268, 305 (illustrated) Artist Bio Andy Warhol American • 1928 - 1987 A seminal figure in the Pop Art movement of the early 1960s, Andy Warhol's paintings and screenprints are iconic beyond the scope of Art History, having become universal signifiers of an age. An early career in commercial illustration led to Warhol's appropriation of imagery from American popular culture and insistent concern with the superficial wonder of permanent commodification that yielded a synthesis of word and image, of art and the everyday. Warhol's obsession with creating slick, seemingly mass-produced artworks led him towards the commercial technique of screenprinting, which allowed him to produce large editions of his painted subjects. The clean, mechanical surface and perfect registration of the screenprinting process afforded Warhol a revolutionary absence of authorship that was crucial to the Pop Art manifesto. View More Works
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.jpg "Source: Christie's")
