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Auction archive: Lot number 109

A RARE FLORENTINE SCAGLIOLA PANEL BY LAMBERTO CRISTIANO GORI SIGNED AND DATED EITHER 1752 OR 1782

Estimate
£10,000 - £15,000
ca. US$13,082 - US$19,623
Price realised:
n. a.
Auction archive: Lot number 109

A RARE FLORENTINE SCAGLIOLA PANEL BY LAMBERTO CRISTIANO GORI SIGNED AND DATED EITHER 1752 OR 1782

Estimate
£10,000 - £15,000
ca. US$13,082 - US$19,623
Price realised:
n. a.
Beschreibung:

A RARE FLORENTINE SCAGLIOLA PANEL BY LAMBERTO CRISTIANO GORI SIGNED AND DATED EITHER 1752 OR 1782 A Scagliola panel of an Italianate harbour scene, the foreground with merchants and portside figures, castle tower with soldiers beneath, ships beyond, signed to the side of a box slightly indistinctly, "Lambertus Cristianus Gori, Fec: Florenze Anno Dom 1782 (or 1752?)", ink inventory (?) number to reverse, in a later swept gilt frame, provenance as per handwritten note to verso visible panel 37 x 54.5cm, the frame 53 x 71cm Provenance: The collection of His Royal Highness Prince Georg of Denmark 1975 Lamberto Cristiano Gori (1730-1801) was apprenticed to the monk Don Enrico Hugford of Vallombrosa, regarded as one of the leading exponents of the art of scagliola in the 18th century. John Fleming in his article 'The Hugfords of Florence' (Connoisseur, October 1955) writes that Hugford's work displays "technical brilliance, his hand revealed by the charming but unvarying colour scheme of salmon pink, pale blue, light sandy brown and smokey grey, which gives his panels the appearance of gouache paintings under thick glass, their surfaces being exceptionally smooth and translucent". In his technical mastery Gori rivalled his master but, unlike him, his work tended to be less inspired by known observable landscapes and more by a leaning toward capricci- freer extemporizing interpretations of the scenes around him. In his article 'Masters of the Art of Scagliola', Country Life, September 29, 1994, Jonathan Cook suggested that Gori was drawing more on the painterly styles of artists such as Vernet and Pannini. The imaginary Mediterranean view of this panel shows similarities in the soft colouring and in the treatment of the figures with the central scene on a pair of scagliola table tops at Woburn Abbey (Bedfordshire) dated 1762 and made also by Lamberto Cristiano Gori and commissioned by the Marquess of Tavistock, eldest son of the 4th Duke of Bedford. For a pair of harbour scenes with similar treatment of the water and buildings, signed by Lamberto Gori, see lot 39 from the "The Collection of Prince and Princess Henry de la Tour d'Auvergne Lauraguais" sold Sotheby's, London, 3 May 2012, £27,500. Condition Report: There are some marks, scratches, knocks, chips, and abrasions consistent with age and use. The later frame with losses, damage and repairs. The panel with what appears to be a slightly discoloured wash- pale yellow tea coloured. There are small areas where a whiter undercolour is visible - possibly from surface abrasion. Traces of prior framing evident from traces of gilding to edges of panel. Edges also showing nibbling and small loss- most noticeable to lower right hand corner that has section approx 1cm replaced Please see the additional photographs as a visual reference of condition and which form part of this condition report. Condition Report Disclaimer

Auction archive: Lot number 109
Auction:
Datum:
31 Mar 2022
Auction house:
Dreweatts & Bloomsbury Auctions
16-17 Pall Mall
St James’s
London, SW1Y 5LU
United Kingdom
info@dreweatts.com
+44 (0)20 78398880
Beschreibung:

A RARE FLORENTINE SCAGLIOLA PANEL BY LAMBERTO CRISTIANO GORI SIGNED AND DATED EITHER 1752 OR 1782 A Scagliola panel of an Italianate harbour scene, the foreground with merchants and portside figures, castle tower with soldiers beneath, ships beyond, signed to the side of a box slightly indistinctly, "Lambertus Cristianus Gori, Fec: Florenze Anno Dom 1782 (or 1752?)", ink inventory (?) number to reverse, in a later swept gilt frame, provenance as per handwritten note to verso visible panel 37 x 54.5cm, the frame 53 x 71cm Provenance: The collection of His Royal Highness Prince Georg of Denmark 1975 Lamberto Cristiano Gori (1730-1801) was apprenticed to the monk Don Enrico Hugford of Vallombrosa, regarded as one of the leading exponents of the art of scagliola in the 18th century. John Fleming in his article 'The Hugfords of Florence' (Connoisseur, October 1955) writes that Hugford's work displays "technical brilliance, his hand revealed by the charming but unvarying colour scheme of salmon pink, pale blue, light sandy brown and smokey grey, which gives his panels the appearance of gouache paintings under thick glass, their surfaces being exceptionally smooth and translucent". In his technical mastery Gori rivalled his master but, unlike him, his work tended to be less inspired by known observable landscapes and more by a leaning toward capricci- freer extemporizing interpretations of the scenes around him. In his article 'Masters of the Art of Scagliola', Country Life, September 29, 1994, Jonathan Cook suggested that Gori was drawing more on the painterly styles of artists such as Vernet and Pannini. The imaginary Mediterranean view of this panel shows similarities in the soft colouring and in the treatment of the figures with the central scene on a pair of scagliola table tops at Woburn Abbey (Bedfordshire) dated 1762 and made also by Lamberto Cristiano Gori and commissioned by the Marquess of Tavistock, eldest son of the 4th Duke of Bedford. For a pair of harbour scenes with similar treatment of the water and buildings, signed by Lamberto Gori, see lot 39 from the "The Collection of Prince and Princess Henry de la Tour d'Auvergne Lauraguais" sold Sotheby's, London, 3 May 2012, £27,500. Condition Report: There are some marks, scratches, knocks, chips, and abrasions consistent with age and use. The later frame with losses, damage and repairs. The panel with what appears to be a slightly discoloured wash- pale yellow tea coloured. There are small areas where a whiter undercolour is visible - possibly from surface abrasion. Traces of prior framing evident from traces of gilding to edges of panel. Edges also showing nibbling and small loss- most noticeable to lower right hand corner that has section approx 1cm replaced Please see the additional photographs as a visual reference of condition and which form part of this condition report. Condition Report Disclaimer

Auction archive: Lot number 109
Auction:
Datum:
31 Mar 2022
Auction house:
Dreweatts & Bloomsbury Auctions
16-17 Pall Mall
St James’s
London, SW1Y 5LU
United Kingdom
info@dreweatts.com
+44 (0)20 78398880
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