A FRENCH ORMOLU, SILVERED BRONZE AND LIMOGES ENAMEL MIRROR, in the Renaissance style, by F. Barbedienne, the octagonal plate with bevelled edges within a cushion-shaped frame with eight further mirrored panels, the surround pierced and cast with arabesque tracery, inset with four rectangular limoges enamel panels, two inscribed LE MATIN and LE SOIR , with four enamel roundels painted with cherubs, the lower right hand edge of the frame inscribed MAISON BARBEDIENNE, PARIS C. SEVIN, INV. 1867 D. ATTARGE FECIT (lacking finials; the gilding and silvering worn and tarnished; one mount loose), second half 19th century 42in. (107cm.) wide; 42in. (107cm.) high; 2½in. (6.5cm.) deep
A FRENCH ORMOLU, SILVERED BRONZE AND LIMOGES ENAMEL MIRROR, in the Renaissance style, by F. Barbedienne, the octagonal plate with bevelled edges within a cushion-shaped frame with eight further mirrored panels, the surround pierced and cast with arabesque tracery, inset with four rectangular limoges enamel panels, two inscribed LE MATIN and LE SOIR , with four enamel roundels painted with cherubs, the lower right hand edge of the frame inscribed MAISON BARBEDIENNE, PARIS C. SEVIN, INV. 1867 D. ATTARGE FECIT (lacking finials; the gilding and silvering worn and tarnished; one mount loose), second half 19th century 42in. (107cm.) wide; 42in. (107cm.) high; 2½in. (6.5cm.) deep
.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
.jpg "Quelle: Christie's")
.jpg?height=400 "Quelle: Christie's")
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